Piranesi and the Modern Age

Giovanni Battista Piranesi (1720-78), printmaker, architect, and antiquarian, has long mesmerized viewers with his panoramas of ancient Rome. But he has also been considered an interpreter of the genuinely modern, DNIR Honorary Fellow, Professor Victor Plahte Tschudi argues in his new book.

Image may contain: Organism, Font, Wood, Rectangle, Art.

René d'Harnoncourt, sketch of the exhibition plan for Timeless Aspects of Modern Art, ca. 1947-48. Pencil on paper. Detail showing drawings of Cézanne, Picasso, and Piranesi.

Piranesi's etchings became points of reference for artist and architects of the twentieth and twenty-first centuries, but also for photographers, writers, filmmakers, and psychoanalysts. Prof. Victor Plahte Tschudi (Oslo School of Architecture and Design) explores the complex appropriation and continual discoveries of Piranesi in the modern age. The Norwegian Institute in Rome is delighted to introduce Piranesi and the Modern Age to the Roman public! In addition to the author himself, comments will be given by the leading Piranesi experts, Prof. Mario Bevilacqua (La Sapienza) and Dr. Clare Hornsby (British School at Rome).

The event is open to all. To participate in person, please register at events@roma.uio.no 

To follow the presentation online, please enter https://uio.zoom.us/j/62080871557

 

Image may contain: Book, Publication, Rectangle, Font, Book cover.

 

Tags: Piranesi, Modernity
Published Jan. 13, 2023 1:31 PM - Last modified Feb. 20, 2023 11:22 AM