-
Pouillard, Véronique & Ranestad, Kristin
(2024).
The missions abroad of employees of the mining industries of Belgian Congo and Chile.
-
Pouillard, Véronique
(2024).
Licensing luxury fashion: A Global History of Craftsmanship, Dress, and Branding in the 20th Century.
-
Pouillard, Véronique
(2024).
PhD supervision: feedback and co-supervision.
-
Pouillard, Véronique
(2024).
Beyond Paris and New York: The Fashion Industry in Francophone Colonial Spaces.
-
Pouillard, Véronique
(2024).
Les débuts du système suisse des brevets d'invention (1873–1914) by Nicolas Chachereau (Review).
Technology and Culture.
ISSN 0040-165X.
65,
p. 401–403.
-
Pouillard, Véronique
(2023).
Luksus.
[Internet].
Podkast, NRK P2, Norgeshistorie.
-
Pouillard, Véronique
(2023).
Invited discussant, PASSIM ERC AdG project final seminar .
-
Pouillard, Véronique
(2023).
Invited respondent, ArTechLaw Workshop 2.
-
Pouillard, Véronique
(2023).
Presentation of the Creative IPR project and results.
-
Pouillard, Véronique; Chagnon-Burke, Véronique; Degen, Natasha & Oosterlinck, Kim
(2023).
Discussant for the book “Merchants of Style by Natasha Degen”.
-
Pouillard, Véronique
(2023).
Moteindustri, miljø og bærekraft i historisk perspektiv.
-
Pouillard, Véronique
(2023).
Hvordan kan man gjøre opp for kolonialismen?
-
Pouillard, Véronique
(2023).
Les industries de la mode en perspective transatlantique.
-
Pouillard, Véronique
(2023).
Keynote: Fashion and textile in the colonial tribunals during the 1950s.
-
Pouillard, Véronique
(2023).
An anti-trust case in the diamond industry: the United States v. the De Beers cartel (1948).
-
Pouillard, Véronique
(2023).
Intellectual Property Rights in Congo (Colonial and Postcolonial): From SABAM to SOCODA.
-
Pouillard, Véronique & Ranestad, Kristin
(2023).
Traveling for knowledge: the missions abroad of employees of the mining industries of Belgian Congo and Chile (1905-1960s).
-
Pouillard, Véronique
(2023).
Intellectual Property Rights in Congo: Between SABAM and SONECA (1950s-1960s).
-
Pouillard, Véronique
(2023).
Intellectual property rights and infrastructures for the music industry: the case of post-colonial Congo.
-
Pouillard, Véronique
(2023).
Intellectual property rights in Belgium and in Congo during the interwar years, between internationalism and colonialism.
-
Pouillard, Véronique
(2023).
An anti-trust case in the diamond industry: the United States v. De Beers (1944-1948) .
-
Pouillard, Véronique
(2023).
Kong Leopolds Kongo.
[Radio].
Gjenklang, Apple, Spotify.
-
Pouillard, Véronique
(2022).
Small music firms and collecting management cooperatives in late colonial Congo.
-
Pouillard, Véronique
(2022).
From Paris and New York to Everywhere: Fashion Centers from International to Postcolonial History.
International Library of Fashion Research.
2(1),
p. 12–17.
-
Pouillard, Véronique
(2022).
Intellectual property revenue in colonial context: Small music business firms and collective management cooperative societies in the Belgian Congo.
-
Pouillard, Véronique
(2022).
Keynote: Les capitales de mode transatlantiques.
-
Pouillard, Véronique
(2022).
Presentation of the Creative IPR Project, team, and research.
-
Pouillard, Véronique
(2022).
Intellectual Property Rights in Congo: Musicians between the Sabam and the Soneca.
-
Pouillard, Véronique
(2022).
London Couture and the Making of a Fashion Centre. By Michelle Jones. Cambridge, MA: MIT Press, 2022. 320 pp. Illustrations, notes, index. Hardcover, $30.00. ISBN: 978-0-262-04657-2.
Business History Review.
ISSN 0007-6805.
96(3),
p. 690–693.
doi:
10.1017/S0007680522000617.
-
Pouillard, Véronique
(2022).
Les capitales de mode et de culture: une histoire multiple.
-
Pouillard, Véronique
(2022).
Keynote: From Paris to New York and to Everywhere: Fashion Centers from International to Postcolonial History.
-
Pouillard, Véronique
(2022).
Intellectual Property Rights and Infrastructures for the music industry: the case of colonial and post-colonial Congo.
-
Pouillard, Véronique
(2022).
Discussion: Fashion Systems Around the World in the Twentieth Century.
-
Pouillard, Véronique
(2022).
The Case of the Hadopi law, and Creative IPR Project Development.
-
Pouillard, Véronique; Gibson, Johanna; Teilmann-Lock, Stina & Bowrey, Kathy
(2022).
Book discussion - Paris to New York: The Transatlantic Fashion Industry in the Twentieth Century.
-
Pouillard, Véronique
(2022).
La méthode et les sources dans le livre "Paris to New York. The Transatlantic Fashion Industry in the Twentieth Century".
-
Pouillard, Véronique & Skogstad, Regine
(2022).
Designeren bak Celine-kulten er tilbake med eget merke.
[Newspaper].
Dagens Næringsliv D2.
-
Pouillard, Véronique
(2022).
Authors' Rights in Congo: Between SABAM and SONECA (1950s-1970s).
Show summary
Authors in Congo made use of three different author’s rights societies to collect dues, the SABAM, based primarily in Belgium, to a lesser degree the SACEM, based in France, and from the 1960s, the SONECA, in Congo. This research examines the role of the European and the local societies, and the sources of author’s rights revenues, allowing to contextualize the narratives on the emergence of a music industry during the last decade of the Belgian colonial era (the 1950s), and the early postcolonial period, until the beginning of the regime of Mobutu. The activity of musicians in Congo during that period was ranging from traditional music, to genres inspired by a mix of traditional culture, of Anglo-Saxon, and Hispanic influences. Yet other musicians in Congo were engaged in religious music, and in classical music.
During the late colonial and early post-colonial eras in Congo, several, often overlapping legal regimes regulated intellectual property rights for the creative industries. The colonial rules and legal system had a direct influence on the regime of authors’ rights in the Belgian colony (Congo) and in the territories under Belgian mandates (Rwanda and Burundi). National and international organizations and jurists worked on the internationalization of intellectual property rights frameworks, and attempted at taking into account the indigenous rights (droits coutumiers). Based on sources kept at the Africa Museum in Tervueren, the National Archives of France, and the department of Musicology at the Royal Library of Belgium, the paper examines the nature of the property regime created by the confluence of colonial right, indigenous right, and postcolonial developments. Its contextualization within the framework of a globalization of intellectual property rights in construction is discussed through the study of the participation of the delegates of Congo (and later on Zaïre) in the international conferences that aimed to harmonize intellectual property at the international level during the 1960s and the 1970s.
-
Pouillard, Véronique
(2022).
Historiske kjendiser - Coco Chanel.
[Radio].
NRK P3 Podcast.
-
Pouillard, Véronique
(2021).
Fashion and Transnational Exchanges. Presentation of the book Paris to New York. The Transatlantic Fashion Industry in the Twentieth Century .
-
Pouillard, Véronique
(2021).
Discussant, Panel A02, Fashion, Innovation, and Sustainability.
-
Pouillard, Véronique
(2021).
Mote og demokrati.
-
-
Pouillard, Véronique & Bogaerts, Nicolas
(2021).
Halston, Le Serpent...La mode dans les séries, bien plus qu'un catalogue de tenues.
[Newspaper].
Focus Vif.
-
Pouillard, Véronique
(2021).
CREATIVE IPR. Project advancement in October 2021.
-
Pouillard, Véronique
(2021).
Book launch: Paris to New York. The Transatlantic History of the Fashion Industry.
-
-
Pouillard, Véronique; Orban, Franck & Uvsløkk, Geir
(2021).
Fransk mote etter tusenårsskiftet og i koronaens tid.
[Business/trade/industry journal].
Transit Magasin.
-
Pouillard, Véronique & Lilleslåten, Mari
(2021).
Paris og New York har alltid knivet om å være verdens motesentrum.
[Internet].
forskning.no.
-
Pouillard, Véronique & Lilleslåtten, Mari
(2021).
Paris and New York have always battled over being fashion capital of world.
[Internet].
forskning.no.
-
-
Pouillard, Véronique; Orban, Franck & Uvsløkk, Geir
(2021).
Hvor stor er motesektoren i Frankrike?
[Radio].
Frankrike forklart.
-
Pouillard, Véronique
(2021).
Histoire transatlantique de la haute couture, deuxième partie.
-
Pouillard, Véronique
(2021).
Histoire transatlantique de la haute couture, première partie.
-
-
-
Pouillard, Veronique
(2021).
Intellectual Property in the Fashion Industry: From Vionnet to Dior.
Show summary
This talk examines how fashion designers have used intellectual property rights to protect their creations from piracy, and to advertise the authenticity of their products.
Among the numerous couturiers that have participated in this effort, the archives-based research presented in this talk focuses on the examples of Madeleine Vionnet and Christian Dior, who, along with their legal teams, pioneered the development of extensive intellectual property rights portfolios. These designers used various legal tools to protect and to market their work, including trademark, copyright, patent, trade dress, and anti-competition laws. During the interwar period, most of Vionnet’s legal action remained centered in France, but the postwar case of Dior shows how, later on, such strategies could be used on international markets. Finally, the talk questions the advantages and inconveniences of using law as a commercial instrument in the creative industries.
-
Pouillard, Veronique
(2021).
Keynote. Music and the HADOPI law, Creative IPR project.
-
Pouillard, Véronique & Bernheim, Nele
(2020).
Poor taste, good taste, or just taste. Fashion in Belgium during the interwar period.
-
Pouillard, Veronique
(2020).
The History of Intellectual Property Rights in the Creative Industries .
-
Pouillard, Veronique
(2020).
Copy Chic.
[Newspaper].
Weekendavisen.
-
Pouillard, Veronique
(2020).
La mini jupe, entre émancipation et sexualisartion.
[TV].
France Culture.
-
Pouillard, Veronique
(2020).
Intellectual property and business history in the research project Creative IPR.
-
Pouillard, Veronique
(2020).
Writing arguments for PhD dissertations in History.
-
Pouillard, Veronique
(2020).
Presentation of the ERC CoG 818523 grant project CREATIVE IPR and strategies for developing an ERC application.
-
Pouillard, Veronique
(2020).
Presentation of the research project ERC CoG818523, CREATIVE IPR.
-
Pouillard, Véronique & Haugen, Toril
(2019).
Store internasjonale selskaper har brukt opphavsretter for å slippe unna skatt.
[Internet].
https://www.hf.uio.no/iakh/forskning/aktuelt/aktuelle-saker/.
-
Pouillard, Veronique
(2019).
Discussant to the paper by Fabian Csaba, "Is there such a thing as Nordic Luxury?".
-
Pouillard, Veronique
(2019).
Filologen - Glamour temanummer.
[Journal].
Filologen.
-
Pouillard, Veronique
(2019).
Historikeren.
[Journal].
Fortid.
-
Pouillard, Veronique
(2019).
Du er hva du går i.
[Journal].
Stoff.
-
Pouillard, Veronique
(2019).
Postwar Couture: Going Global.
-
Pouillard, Veronique
(2019).
Timeline, work methods and strategies for ERC applications.
-
Pouillard, Veronique
(2019).
Presentation of the ERC project CREATIVE IPR: The History of Intellectual Property Rights in the Creative Industries.
-
Pouillard, Veronique
(2019).
Mode et Jeunesse: rencontre avec expert.
-
Pouillard, Veronique
(2019).
Fashion and Youth: Meet the expert tour.
-
Pouillard, Veronique
(2019).
Haute Couture before, during, and after World War II.
-
Pouillard, Veronique
(2019).
Timeline process for application, work methods and strategies.
-
Pouillard, Veronique
(2019).
Keynote: Multiple Fashion Labors .
-
Pouillard, Veronique
(2019).
Conférence inaugurale (Keynote): La haute couture. Histoire des entreprises.
-
Pouillard, Veronique
(2019).
Presentation of the ERC Project CREATIVE IPR, The History of Intellectual Property Rights in the Creative Industries.
-
Pouillard, Veronique
(2019).
Panel Discussion: How to Publish without Perishing: a
Workshop on the Academic Publishing Process.
-
Pouillard, Veronique
(2019).
Panel discussion: Whose Right is it Anyway? An
Interdisciplinary Roundtable on Intellectual Property Rights in the Creative Industries.
-
Pouillard, Veronique
(2019).
Haute couture’s early lawsuits: a view from the courts (late nineteenth century to the 1930s).
-
Pouillard, Veronique
(2019).
Fabricating Transnational Capitalism: A Collaborative Ethnography of Italian-Chinese Global Fashion. ByLisa Rofel and Sylvia J. Yanagisako. Durham: Duke University Press, 2019. xiii 377 pp. Photographs, references, appendix, notes, index. Cloth, $104.95; paper, $28.95. ISBN: Cloth, 978-1-4780-0029-7; paper, 978-1-4780-0045-7.
Business History Review.
ISSN 0007-6805.
93(3),
p. 650–653.
doi:
10.1017/S0007680519001107.
-
Pouillard, Veronique
(2018).
Moteindustri og kjønnshistorie I Frankrike og i USA.
-
Pouillard, Veronique
(2018).
Michel Foucault and Arlette Farge, the history of sexuality and of family.
-
Pouillard, Veronique
(2018).
Michel Foucault’s posthumous publication of Les aveux de la chair.
-
Pouillard, Veronique
(2018).
Branding haute couture: the history of couture firms and their intellectual property rights strategies (1920s–1960s).
-
Pouillard, Veronique
(2018).
The Business History of Fashion Published: European Fashion.
-
Love, Gary & Pouillard, Veronique
(2018).
Plan S needs to work with the scientific journals, not against them.
Khrono.no.
ISSN 1894-8995.
-
Pouillard, Veronique
(2017).
“Fashioning Europe”, presentation of the HERA II Enterprise of Culture project research results.
-
Pouillard, Veronique
(2017).
Panel discussion. Brexit.
-
Pouillard, Veronique & Donze, Pierre-Yves
(2017).
Luxury.
-
Pouillard, Veronique
(2017).
The early globalization of the fashion business (1880s-1920s).
-
Langford, Malcolm; Schaffer, Johan Karlsson; Larsen, Eirinn & Pouillard, Veronique
(2017).
Da fortet åpnet porten.
Klassekampen.
ISSN 0805-3839.
-
Pouillard, Veronique
(2017).
From Goodwill to Grunge: A History of Secondhand Styles and Alternative Economies. By Jennifer Le Zotte . Chapel Hill: University of North Carolina Press, 2017. xiv + 326 pp. Figures, notes, index. Cloth, $85.00; paper, $27.95. ISBN: cloth, 978-1-4696-3189-9; paper, 978-1-4696-3190-5.
Business History Review.
ISSN 0007-6805.
91(2),
p. 433–436.
doi:
10.1017/S0007680517000940.
-
Pouillard, Veronique
(2016).
Illiberal times? Is the epoch of fascism coming back? Or does Europe face a legitimate return of real sovereign national states.
-
Pouillard, Veronique
(2016).
Haute couture goes global. Networks, markets, and challenges in the postwar era.
-
Pouillard, Veronique
(2016).
The foundation of haute couture.
-
Pouillard, Veronique
(2016).
Haute couture: going global.
-
Pouillard, Veronique
(2016).
Jeg kom ut av det blå.
[Newspaper].
Morgenbladet.
-
Pouillard, Veronique
(2016).
NRK Radio Urix på lørdag. CETA og Napoleon.
[Radio].
NRK.
-
Pouillard, Veronique
(2016).
Retour aux Sources, Paris Couture.
[TV].
RTBF (Radio Television Belge Francophone).
-
Pouillard, Veronique
(2016).
The Use of Intellectual Property Rights in the Interwar Fashion Industry.
-
Pouillard, Veronique
(2016).
La propriété intellectuelle et les entrepreneurs de mode franco-américains pendant l’entre-deux-guerres.
-
Pouillard, Veronique
(2016).
Intellectual Property Rights in the Fashion Industry after 1958: European perspectives in a global industry.
-
Pouillard, Veronique
(2015).
The Transatlantic Venture of Fashion Industrialists, 1920-1960.
-
Pouillard, Veronique
(2015).
Les échanges entre France et Scandinavie.
-
Pouillard, Veronique
(2015).
Les échanges entre entrepreneurs de mode parisiens et new-yorkais des années 1920 aux années 1960. Presentation of working paper "The Transatlantic Ventures of Fashion Industrialists, 1920-1960".
-
Pouillard, Veronique
(2015).
Can Luxury be Copied?
-
Pouillard, Veronique
(2015).
The New York-Paris Fashion Nexus and the Criminalization of Piracy: The Milton Affair, 1955-1962.
-
Pouillard, Veronique
(2015).
Navigating between High and Low: Intellectual Property Rights and the Problem of Piracy in the Paris-New York Fashion Nexus.
-
Pouillard, Veronique
(2014).
From marketing the war to advertising consumer culture.
-
Pouillard, Veronique
(2014).
Neutral Belgium Invaded! History, Memory, and Contemporary Politics in the Host Country of the EU.
-
Pouillard, Veronique
(2014).
Innovation and the role of the state in the French postwar fashion industries (1946-1960).
-
Pouillard, Veronique
(2013).
Intellectual Property in the 20th Century Fashion Industries: The History of a Paradox?
-
Pouillard, Veronique
(2013).
Haute couture as local business: the industry seen from the records of the Chambre Syndicale de la Couture Parisienne.
-
Pouillard, Veronique
(2013).
"Transnational fashion: Past perspectives.".
-
Pouillard, Veronique
(2012).
From Paris to Brussels and Antwerp: The transfiguration of center-periphery relations in the fashion business (1920s-1990s).
-
Pouillard, Veronique; Oosterlinck, Kim & Di Jorio, Irene
(2012).
Advertising, Propaganda and War Finance. The French Case during WW1.
-
Pouillard, Veronique
(2012).
Sources and Methodology in the History of the Fashion Business.
-
Pouillard, Veronique
(2012).
The Paris-New York Fashion Business, 1920-1960.
-
Pouillard, Veronique & Brachet-Champsaur, Florence
(2012).
Global-Local Tensions in the Dissemination Strategies of Paris Couture (1920s-1960s).
-
Pouillard, Veronique
(2011).
Les relations franco-américaines au prisme de la publicité en littérature.
-
Pouillard, Veronique
(2011).
Fashion, Magazines, and Transatlanticism in Interwar France.
-
-
Pouillard, Veronique
(2009).
Adam C. Stanley, Modernizing Tradition: Gender and Consumerism in Interwar France and Germany, Baton Rouge: Louisiana State University Press, 2008.
Enterprise & Society.
ISSN 1467-2227.
10(4),
p. 853–856.
-
Pouillard, Veronique
(2008).
Review of Mary E. Davis, Classic Chic: Music, Fashion, and Modernism. Berkeley, Los Angeles, and London: University of California Press, 2006. xix + 332 pp., figures, notes, bibliography, and index. $ 39.95. ISBN: 978-0-520-24542-6.
H-France Review.
ISSN 1553-9172.
8(21),
p. 85–89.
-
Pouillard, Veronique
(2006).
Y. Kawamura, The Japanese Revolution in Paris Fashion, Berg Publishers: Oxford, 2004.
Textile History.
ISSN 0040-4969.
37(1),
p. 105–106.
-
Pouillard, Véronique & Donzé, Pierre-Yves
(2022).
Business History Article Collection: Fashion and Luxury Business.
Taylor & Francis.