Bibliography

The works listed below are a non-exhaustive list of literature on the history of intellectual property in the creative industries

General IPR literature

  • Cornu, Marie, Fabienne Orsi and Judith Rochfeld. Dictionnaire des biens communs [Commons Dictionary]. Paris: Presses Universitaires de France, 2021.
  • Correa, Carlos M. (ed.). Research Handbook on the Protection of Intellectual Property under WTO Rules. Cheltenham: Edward Elgar Publications Limited, 2010.
  • David, Matthew and Debora J. Halbert (eds). The SAGE Handbook of Intellectual Property. Los Angeles: SAGE, 2015.
  • Dreyfuss, Rochelle and Justine Pila (eds). The Oxford Handbook of Intellectual Property Law. Oxford: Oxford University Press, 2018.
  • Gervais, Daniel J. (ed.). International Intellectual Property: A Handbook of Contemporary Research. Cheltenham: Edward Elgar Publishing Limited, 2015.

  • Jones, Candace, Mark Lorenzen and Jonathan Sapsed (eds.). The Oxford Handbook of Creative Industries. Oxford: Oxford University Press, 2015.

  • Kaufman, James C. (ed.). The International Handbook of Creativity. Cambridge, Cambridge University Press, 2006.

  • Torremans, Paul. Holyoak and Torremans Intellectual Property Law. 9th edition. Oxford: Oxford University Press, 2019. DOI: 10.1093/he/9780198836452.001.0001.

  • Torvund, Olav. Opphavsrett for begynnere [Copyright for beginners]. 2nd edition. Oslo: Universitetsforlaget, 2019.

  • Vaidhyanathan, Siva. Intellectual Property. A Very Short Introduction. Oxford: Oxford University Press, 2017.

History of IPR

  • Beer, Jeremy de, Jeremiah Baarbe and Caroline Ncube.“Evolution of Africa's Intellectual Property Treaty Ratification Landscape”. The African Journal of Information and Communication (AJIC) 22 (2018): 53-82.
  • Bruland, Kristine, Anne Gerritsen, Pat Hudson and Giorgio Riello (Eds.). Reinventing the Economic History of Industrialization. Montreal: McGill-Queen’s University Press, 2020.
  • Buning, Marius. “Making Things New: Invention Privileges and the Configuration of Priority”. History of Science 57, no. 1 (2019): 81-96.
  • Buning, Marius. “Between Imitation and Invention. Inventor Privileges and Technological Progress in the Early Dutch Republic”. Intellectual History Review 24, no. 3 (July 2014): 415-427. DOI: 10.1080/17496977.2014.891175.
  • Chowdhury, Subhadeep. “Medicine and Colonial Patent Law in India: A Study of Patent Medicines and the Indian Patents and Designs Act, 1911 in Early-Twentieth-Century India.” Journal of the History of Medicine and Allied Sciences 75, no. 4 (2020): 408–428. DOI: 10.1093/jhmas/jraa027.
  • Deazley, Ronan. On the Origin of the Right to Copy. Charting the Movement of Copyright Law in Eighteenth Century Britain (1695-1775). Portland, Hart Publishing, 2004.
  • Deazley, Ronan, Martin Kretschmer and Lionel Bently (eds.). Privilege and Property. Essays on the History of Copyright. Cambridge: OpenBook Publishers, 2010.
  • Dommann, Monika and Sarah Pybus. Authors and Apparatus: A Media History of Copyright. Ithaca: Cornell University Press, 2019.
  • Edelman, Bernard. Le Sacre de l’auteur [The rite of the author]. Paris: Le Seuil, 2016.
  • Feather, John. “The Book Trade in Politics: The Making of the Copyright Act of 1710".” Publishing History 8 (1980): 19-44.
  • Galvez-Béhar, Gabriel. La République des inventeurs. Propriété et organization de l’innovation en France (1791-1922). Rennes: Presses Universitaires de Rennes, 2008.
  • Ginsburg, Jane C. “A Tale of Two Copyrights: Literary Property in Revolutionary France and America.” Tulane Law Review 64, No. 5 (1989-1990): 991-1032.
  • Ginsburg, Jane C. “’Une Chose Publique’? The Author’s Domain and the Public Domain in Early British, French and US Copyright Law.” The Cambridge Law Journal 65, No. 3 (2006): 636-670.

  • Ginsburg, Jane C. and Sam Ricketson. International Copyright and Neighbouring Rights. The Berne Convention and Beyond. Oxford: Oxford University Press, 2005.

  • Halbert, Debora J. “The World Intellectual Property Organization: Past, Present and Future.” Journal of Copyright Society of the USA 54, No. 2-3 (2007): 253-284. Accessed June 12, 2020.

  • Hesse, Carla. Publishing and Cultural Politics in Revolutionary Paris 1789-1810. Berkeley and Los Angeles: University of California Press, 1991.
  • Hesse, Carla. ”The Rise of Intellectual Property, 700 B.C.-A.D.2000: An Ideal in the Balance.” Deadalus 131, No. 2 (2002): 26-45. Accessed June 9, 2020.
  • Johns, Adrian. Piracy: The Intellectual Property Wars from Gutenberg to Gates. Chicago: University of Chicago Press, 2009.

  • Loewenstein, Joseph. The Author’s Due: Printing and the Pre-history of Copyright. Chicago: University of Chicago Press, 2002.

  • McGinnis, Reginald (ed.). Originality and Intellectual Property in the French and English Enlightenment. New York: Routledge, 2009.

  • Miller, Derek. Copyright and the Value of Performance, 1770-1911. Cambridge: Cambridge Unversity Press, 2018.

  • Miller, Derek. “Performative Performances: A History and Theory of the ‘Copyright Performance’.” Theatre Journal 64, no. 2 (2012): 161-177.

  • Ncube, Caroline B. “Three Centuries and Counting: The Emergence and Development of Intellectual Property Law in Africa.” In Dreyfuss, Rochelle C. and Justine Pila (eds.). 409-439. The Oxford Handbook of Intellectual Property Law. Oxford University Press, 2018.

  • Patterson, Lyman Ray. Copyright in Historical Perspective. Nashville, Vanderbilt University Press, 1968.

  • Sapiro, Gisèle. La Responsabilite de l’ecrivain. Littérature, droit et morale en France (XIXe-XXIe siécle) [Literature, law and morality in France (19th-21st Century)]. Paris: Le Seuil, 2011.

  • Schwartz, Hillel. The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles. MA: The MIT Press, 1996.

  • Teilmann-Lock, Stina. The Object of Copyright. A Conceptual History of Originals and Copies in Literature, Art and Design. Abingdon: Routledge, 2016.

Music IPR

  • Bargfrede, Allen. Music Law in the Digital Age. Boston: Berklee Press, 2009.
  • Bloom, Nancy A. “Protecting Copyright Owners of Digital Music – No More Free Access to Cyber Tunes.” Journal of the Copyright Society of the U.S.A. 45, no. 2 (1997): 179-204.

  • Brøvig-Hanssen, Ragnhild and Danielsen, Anne. Digital Signatures. The Impact of Digitization on Popular Music Sound. Cambridge, Mass: The MIT Press, 2016.

  • Dillon, Teresa. “´Hail to the Thief´: The Appropriation of Music in the Digital Age.” Consuming Music Toghether 35 (2006): 37-56.

  • Frith, Simon and Andrew Goodwin (eds.). On Record: Rock, Pop and The Written Word. London: Routledge, 1990.

  • Frith, Simon and Lee Marshall. Music and Copyright. Edinburgh University Press, 2004.

  • Hesmonhalgh, David. “The Digitalization of Music.” In Creativity, Innovation and the Cultural Economy. Jeffcut, Paul and Andy C. Pratt. (eds.): 57-73.  Abingdon: Routledge, 2009.

  • Jesse, Jim. The Music Copyright Manual: The Definitive Guide to Music Copyright Law in The Digital Age. Rock N Roll Law, 2016.

  • Johns, Adrian. "Pop Music Pirate Hunters." Daedalus 131, no. 2 (2002): 67-77.

  • Moser, David J. and Cheryl, L. Slay. Music Copyright Law. Boston: Course Technology, 2012.

  • Mulligan, Mark. Awakening: The Music Industry in the Digital Age. MIDiA Research, 2015.

  • Navas, Eduardo, Owen Gallagher, and Xtine Burrough (eds.). The Routledge Companion to Remix Studies. New York: Routledge, 2015.

  • Rimmer, Matthew. Digital Copyright and the Consumer Revolution: Hands Off My Ipod. Cheltenham: Edward Elgar Publishing Limited, 2007.

  • Temperley, Nicholas (Ed.). The Blackwell History of Music in Britain. The Romantic Age 1800-1914. London: The Athlone Press, 1976.

  • Witt, Stephen. How Music Got Free: A Story of Obsession and Invention. New York: Penguin Books, 2016.

  • Vaidhyanathan, Siva. Copyrights and Copywrongs: The Rise of Intellectual Property and How it Threatens Creativity. New York: New York University Press, 2001.

Fashion & luxury IPR

  • Blaszczyk, Regina Lee (ed.). Producing Fashion: Culture, Commerse and Consumers. Philadelphia: Pennsylvania University Press, 2007.

  • Chillas, Shiona Allison, Melinda Anne Grewar and Barbara Townley. «Rhythms of Production in Scottish Textiles and Fashion”. In European Fashion: The Creation of a Global Industry, edited by Regina Blaszczyk and Véronique Pouillard, 244-262. Manchester: Manchester University Press, 2018.

  • Dahlén, Marianne. “Copy or copyright  fashion? Swedish design protection law in historical and comparative perspective.” Business History 54, no. 1 (2012): 88-107.
  • Ellis, Sara R. ”Copyrighting Couture: An examination of fashion Protection and What the DPPA and IDPPPA are a Step towards the Solution to Counterfeit Chic.” Tennessee Law Review 78, No. 1 (2010): 163-212. Accessed June 10, 2020.
  • Pesendorfer, Wolfgang. ”Design Innovation and Fashion Cycles” The American Economic Review 85, No. 4 (1995): 771-792.
  • Pouillard, Véronique. “Christian Dior-New York: French Fashion in the US Luxury Market". In Global Luxury: Organization Change and Emerging Markets in the Luxury Industry Since the 1970s. Donzé Pierre-Yves and Rika Fujioka (eds.). 111-131. New York: Palgarve, 2018.

  • Pouillard, Véronique. “Design Piracy in the Fashion Industries of Paris and New York in the Interwar Years.” Business History Review 85, no. 2 (2011): 319-344.

  • Pouillard, Véronique. “Keeping Designs and Brands Authentic: The Resurgence of the Post-War French Fashion Business under the Challenge of US Mass Production.” European Review of History 20, no. 5 (2013a): 815-835.

  • Pouillard, Véronique and Tereza Kuldova. “Interrogating Intellectual property Rights in Postwar Fashion and Design.” Special issue, Journal of Design History 30, no. 4 (2017): 343-355.

  • Raustiala, Kal and Christopher Sprigman. The knockoff Economy. How Imitation Sparks Innovation. Oxford. Oxford, University Press, 2012.
  • Raustiala, Kal and Christopher Sprigman. ”The Piracy Paradox: Innovation and Intellectual Property in Fashion Design”. Virginia Law Review 92, No. 8 (2006): 1687-1777.

  • Schutte, Loni. ”Copyright for Couture”, Duke Law & Technology Review 10, No. 1 (2011): 1-18.

  • Stewart, Mary Lynn. ”Copying and Copyrighting Haute Couture: Democratizing Fashion, 1900-1930s.” French Historical Studies 28, No.1 (2005): 103-130.
  • Van Keymeulen, Eveline. ”Copyrighting couture or counterfeit chic? Protecting fashion design: a comparative EU-US perspective.” Journal of Intellectual Property Law & Practice 7, No. 10 (2012): 728-737.

Interdisciplinary IPR literature

  • Benhamou, Francoise. L’économie de la culture [The economics of culture]. Paris: La Découverte, 1996.
  • Bentley, Lionel, Jennifer Davis and Jane C. Ginsburg (eds.). Copyright and Piracy. An Interdisciplinary Critique. Cambridge: Cambridge University Press, 2010.

  • Biagoli, Mario and Marius Buning. “Technologies of the Law/ Law as a Technology”. History of Science 57, no. 1 (2019): 3-17. DOI: 10.1177/0073275318816163.

  • Bowrey, Kathy. Copyright, Creativity, Big Media and Cultural Value: Incorporating the Author. London: Routledge, 2020. DOI: 10.4324/9780429201035.

  • Bomsel, Olivier. L’économie immatérielle. Industries et marches d’expériences. Paris, Gallimard, 2010.

  • Coombe, Rosemary J. The Cultural Life of Intellectual Properties: Authorship, Appropriation, and the Law. Durham: Duke University Press, 1998.

  • Coriat, Benjamin. Le retours des communs: & la crise de l’idéologie propriétaire [The return of the commons: & the crisis of proprietary ideology]. Paris: Éditions Les Liens qui libèrent, 2015.

  • Deeporter, Ben and Menell, Peter S., (Schwartz, David) (eds.) Research Handbook on the Economics of Intellectual Property Law: Volume 2: Analytical Methods. Cheltenham: Edward Elgar Publishing Limited, 2019.
  • Dinwoodie, Graeme B. and Rochelle, C. Dreyfuss. “Designing a Global Intellectual Property System Response to Change: The WTO, WIPO, and Beyond”. Houston Law Review 46, No. 4 (2009): 1187-1234.

  • Doctorow, Cory. Content: Selected Essays on Technology, Creativity, Copyright, and the Future of the Future. San Francisco: Tachyon, 2008.

  • Ginsburg, Jane C. and Robert Gorman. Copyright Law. New York, Foundation Press, 2012.

  • Jeffcut, Paul and Andy C. Pratt. Creativity, Innovation and the Cultural Economy. Abingdon: Routledge, 2009.

  • Martel, Frédéric. Mainstream: On the Global Culture War. Paris: Flammarion, 2013.
  • Morris, P. Sean. Transforming the Politics of International Law: The Advisory Committee of Jurists and the Formation of the World Court in the League of Nations. London: Routledge, 2021.

  • Ncube, Caroline B. Intellectual Property Policy, Law and Administration in Africa. Exploring Continental and Sub-regional Cooperation. New York: Routledge, 2016.

  • Oosterlinck, Kim and Anne-Sophie Radermecker. “The Master of …”: Creating Names for Art history and the Art Market.” Journal of Cultural Economics 43, (2019): 57-95. DOI: 10.1007/s10824-018-9329-1.

  • Rognstad, Ole-Andreas. Property Aspects of Intellectual Property. Cambridge: Cambridge University Press, 2018.

  • Torremans, Paul (ed.). Copyright Law: A Handbook of Contemporary Research. Cheltenham: Edward Elgar, 2007.

  • Townley, Barbara, Philip Roscoe and Nicola Searle. Creating Economy: Enterprise, Intellectual Property, and the Valuation of Goods. Oxford: Oxford University Press, 2019.

  • Wilf, Steven (ed.). Intellectual Property Law and History. London: Routledge, 2012.

  • Wirtén, Eva Hemmungs. Making Marie Curie: Intellectual Property and Celebrity Culture in an Age of Information. Chicago: Chicago University Press, 2015.

  • Wirtén, Eva Hemmungs. No Trespassing: Authorship, Intellectual Property Rights, and the Boundaries of Globalization (Studies in Book and Print Culture). Toronto: University of Toronto Press, 2004.

  • Woodmansee, Martha. The Author, the Art, and the Market: Rereading the History of Aesthetics. New York: Columbia University Press, 1994.
  • Woodmansee, Martha and Peter Jazsi. The Construction of Authorship: Textual Appropriation in Law and Literature. Durham: Duke University Press, 1994.
Published Dec. 7, 2020 10:34 AM - Last modified May 4, 2022 1:43 PM
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