Arrangementer

Professor Naomi Lamoreaux (Yale University) presents Reconciling Democracy and Capitalism: The Transition to General Laws in the US and Beyond. 

The conference Intellectual Properties in Colonial and Postcolonial History is a 2-day event hosted by the Africa Museum in Tervueren, on the outskirts of Brussels. The goal of the conference is to examine the history intellectual properties and other systems of knowledge in colonial and post-colonial regimes.

Alexander Hartley (Harvard University) presents The copyright world system: Modernism, colonial copyright, and literary authorship. Daniel Raff  (the Wharton School, University of Pennsylvania) presents Radical Agency and Business History.

Eva Hemmungs Wirtén (Linköping University) presents Fighting for Champagne: Bubbles and Intellectual Property, and Anaïs Fléchet (the University of Paris Saclay ) presents Tuned into the World. The UNESCO Collection of Traditional Music (1961-1985) 

Nick Ford (Lund University) presents Lessons from Oslo - Examining social mobility after the establishment of Norway’s first university 

ERC CoG 818523 Creative IPR workshop 4

Rome, Norwegian University Center, Wednesday 9-Friday 11 November 2022

Christoph Kalter (University of Agder) presents Postcolonial People - The Return from Africa and the Remaking of Portugal

Dr. Mario Biagoli (UCLA Law) presents Responsibility Goes Virtual: Lessons from Covid Vaccine Patents

This public workshop examines how technological change has influenced intellectual property in the creative industries.

Véronique Pouillard (University of Oslo) in conversation with Stina Teillman-Lock (Copenhagen Business School) and Johanna Gibson (Queen Mary University of London).

Professor Kim Oosterlinck (Université libre de Bruxelles) and Dr. Anne-Sophie Radermecker (Université libre de Bruxelles) present their paper, Regulation or Reputation? Evidence from the Art Market.

Johan Larson Lindal (Linköping University) presents The Movement of a Musical Work: Ernst Krenek’s Op, 1923-1940

Sara Cavagnero (Northumbria University) presents Reshaping Intellectual Property Rights to Support Effective Transitions in Fashion.

Welcome to the first CREATIVE IPR international conference. This is a two-day conference on the history of intellectual property and will feature two panels. One panel will address the music industry, and the other will discuss bureaucratic dimensions in intellectual property. 

Rachel Miller presents Nice Work if You Can Get It: The Organization of American Stage Work in the 1860s. 

In this Creative IPR Seminar, postdoctoral fellow Marius Buning will give a presentation titled Reporting back: Evaluations and feedback loops in the making of the EUIPO. The presentation will be followed by a Q&A.

In this Creative IPR Seminar Associate Professor Yngvar Kjus will present key aims and issues of his project “Platformization of music production: Developer and user perspectives on transformations of production technology in the online environment”. The presentation will be followed by a Q&A.

In this Creative IPR seminar, Audrey Millet will present her MSCA-funded research project, Made in Sweatshops (MISS). The research presentation will be followed by a Q&A session.

In this Creative IPR Seminar Dr. Janny Carrasco Medina will give a presentation titled Intellectual Property Rights: the Cuban Case. The presentation will be followed by a Q&A.

In her new book, Véronique Pouillard examines the history of designers, intellectual property, and entrepreneurs in the fashion industry. 

In this Creative IPR Seminar MSCA postdoctoral fellow Vincent Dubé-Senécal will present his recently published book La mode française. Vecteur d’influence aux États-Unis (1946-1960) through a discussion between himself and Madeleine Goubau, doctoral candidate in commuRedigernication at the Université du Québec à Montréal and fashion commentator for the public broadcaster Radio-Canada. The presentation will be followed by a Q&A.

In this Creative IPR Seminar Ph.D. Anna Marie Skråmestø Nesheim will give a presentation titled From Privileges to Monopoly: Liberating the French Theatre. The presentation will be followed by a Q&A.