Pasi Väliaho

• Biopolitical Screens: Image, Power, and the Neoliberal Brain. Cambridge, MA: MIT Press, 2014.

• “Rhythm, Movement, Embodiment,” special issue of Body & Society 20:3-4, 2014 (ed. with Julian Henriques and Milla Tiainen).

• Mapping the Moving Image: Gesture, Thought, and Cinema circa 1900. Amsterdam: Amsterdam University Press, 2010.

• "Shadows of Expectation: Robert Hooke's Picture Box and the Visual Economy of Projection." Grey Room 68 (Summer 2017); forthcoming.

• “Solitary Screens: On the Recurrence and Consumption of Images.” In Compact Cinematics: The Moving Image in the Age of Bit-Sized Media, ed. Pepita Hesselberth and Maria Poulaki, 123-129. London: Bloomsbury Academic, 2017.

• "Stills from a Film That Was Never Made: Gesture, Cinema, Memory." In Memory in Motion: Archives, Technology, and the Social, ed. Ina Blom, Trond Lundemo & Eiving Røssaak. Amsterdam: Amsterdam University Press, 2016.

• “Verkörperter Bildkasten: Projektive Bildschirme und visuelle Imperien um 1700.” In Bildwelten des Wissens: Kunsthistorisches Jahrbuch für Bildkritik, vol. 12: “Image Guidance: Bedingungen bildgeführter Operation”, ed. Kathrin Friedrich, Moritz Queisner, and Anna Roethe, 62-72. Berlin: De Gruyter, 2016.

• “Marey’s Gun: Apparatuses of Capture and the Operational Image.” In Téchnē/Technology: Researching Cinema and Media Technologies – Their Development, Use, and Impact, ed. Annie van den Oever, 169-176. Amsterdam: Amsterdam University Press, 2014.

• “Biopolitics of Gesture: Cinema and the Neurological Body.” In Cinema and Agamben: Ethics, Biopolitics and the Moving Image, ed. Asbjørn Grønstad & Henrik Gustafsson, 103-120. London: Bloomsbury Academic, 2014.

• “The Light of God: Notes on the Visual Economy of Drones.” NECSUS: European Journal of Media Studies, Autumn 2014 (http://www.necsus-ejms.org/light-god-notes-visual-economy-drones/).

• “Video Games and the Cerebral Subject: On Playing Call of Duty: Modern Warfare 3.” Body & Society 20:3-4 (2014): 113-139.

• “Spellbound: Early Cinema’s Transformational Spaces.” Space & Culture 16:2 (2013): 161-172.

• “Affectivity, Biopolitics and the Virtual Reality of War.” Theory, Culture & Society 29:2 (2012): 63-83.

• “Cinema’s Memoropolitics: Hypnotic Images, Contingent Pasts, Forgetting.” Discourse: Journal for Theoretical Studies in Media and Culture 33:3 (2011): 322-341.

• Väliaho, Pasi Petteri (2019). To Wrest Something Magical from the World. Mantis: A Journal of Poetry, Criticism and Translation. ISSN 1540-4544. s. 195–200.
• Väliaho, Pasi Petteri (2018). The Brain’s Labor: On Marxism and the Movies. I Conley, Tom & Vaughan, Hunter (Red.), The Anthem Handbook of Screen Theory. Anthem Press. ISSN 9781783088232. s. 13–32. doi: 10.2307/j.ctv43vr5c.7.
• Väliaho, Pasi Petteri (2018). In the Cutting Room of History. I Cavallotti, Diego; Dotto, Simone & Quaresima, Leonardo (Red.), A History of Cinema Without Names/3. Mimesis International. ISSN 9788869771354. s. 263–268.
• Väliaho, Pasi Petteri (2017). Animation and the Powers of Plasticity. Animation. ISSN 1746-8477. 12(3), s. 259–271. doi: 10.1177/1746847717740093. Fulltekst i vitenarkiv
• Väliaho, Pasi Petteri (2017). Shadows of Expectation: Robert Hooke's Picture Box and the Visual Economy of Projection. Grey Room. ISSN 1526-3819. s. 6–31. doi: 10.1162/GREY_a_00225. Fulltekst i vitenarkiv

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• Väliaho, Pasi (2022). Projecting Spirits: Speculation, Providence, and Early Modern Optical Media. Stanford University Press. ISBN 9781503630857. 252 s.

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