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Bø, Ragnhild M.
(2023).
Sjakk og tresko - folklore i middelalderens veggmaleri i Norden.
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Bø, Ragnhild M.
(2023).
Nitja samtaler - Kunst, kultur og myter.
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Bø, Ragnhild M.
(2023).
Gullsaumaðar mjók - Gender and Ornamental Practices in Scandinavia, c.1000-1350.
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Bø, Ragnhild Marthine
(2023).
Altertavlen i Egersund kirke og dens kunsthistoriske kontekst.
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Bø, Ragnhild Marthine
(2023).
Altertavler i Norge, ca.1480-1680.
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Bø, Ragnhild M.
(2022).
Niederlande und Frankreich: Austausch der Bildkünste im 16. Jahrhundert.
Renaissance Quarterly.
ISSN 0034-4338.
75(4),
s. 1325–1326.
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Bø, Ragnhild M.
(2022).
Matter and Motifs in Netherlandish Carved Altarpieces.
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Bø, Ragnhild M.
(2022).
The Late-Medieval Altarpiece from Voss and Its Afterlife in a
Protestant Parish.
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Bø, Ragnhild M.
(2022).
Giorgio Vasari: Kunstnernes liv. Om livene til de største malerne, billedhuggerne og arkitektene.
Kunst og kultur.
ISSN 0023-5415.
105(4),
s. 264–267.
doi:
10.18261/kk.105.4.10.
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Andersen, Elisabeth & Bø, Ragnhild M.
(2022).
Votivtaler i norske kirker på 1600- og 1700-tallet.
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Bø, Ragnhild M.
(2022).
The Last Judgment in Netherlandish Carved Altarpieces .
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Bø, Ragnhild M.
(2022).
Feather Fans: Gender, Tactility, and Authority in Early Modern Portraiture.
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Bø, Ragnhild M. & Andersen, Elisabeth
(2022).
Brudebenker i norske kirker.
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Bø, Ragnhild M.
(2021).
Synlige og skjulte motiver i kirkekunsten i middelalderen.
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Bø, Ragnhild M.
(2021).
Kristinas psalter - en praktbok fra Paris.
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Bø, Ragnhild M.
(2021).
Voks på vandring. En Agnus dei fra sent 1500-tall.
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Bø, Ragnhild M.
(2021).
Making and Meaning-Making. The Antwerp Altarpiece in Ringsaker (Norway) across the Reformation.
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Bø, Ragnhild M.
(2020).
Krusifikset og alterfrontalene fra Tingelstad gamle kirke.
I Stige, Morten (Red.),
Gamle Tingelstad - liten kirke med stort innhold.
Gran kirkelige fellesråd.
ISSN 978-82-303-4556-6.
s. 117–137.
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Bø, Ragnhild M.
(2020).
The Ringsaker Altarpiece - a deliberate versatile product?
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Bø, Ragnhild M.
(2020).
Billedspråket på Bildentekstilets tid.
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Bø, Ragnhild M.
(2019).
The Resurrected Christ Appearing to His Mother: Borman and Beyond.
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Bø, Ragnhild M.
(2019).
Tears in Northern European Art: Materiality and Meaning.
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Bø, Ragnhild M.
(2019).
Netherlandish Altarpieces, Religious Reading and the Resurrected Christ Appearing to his Mother .
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Bø, Ragnhild M.
(2019).
Maria Magdalena i Enebakk kirke.
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Bø, Ragnhild M.
(2019).
Material Magdalenes: Representations of St Mary Magdalene in the North.
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Bø, Ragnhild M.
(2019).
Portraiture in Norway, 1550-1800. Materials, Practices, People.
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Bø, Ragnhild Marthine
(2019).
Lite fortellende forvandling.
Museumsnytt.
ISSN 0027-4186.
s. 40–44.
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Bø, Ragnhild Marthine
(2018).
Dis/Appearing: The 'Resurrected Christ Appearing to his Mother' in Late Medieval Netherlandish Altarpieces in Scandinavia (c.1480-1560).
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Bø, Ragnhild Marthine
(2018).
Transferring Light from Saint to Subject.
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Bø, Ragnhild Marthine
(2018).
Sculptures and Accessorizes:Interfaces between devotion and decoration in medieval Norway
.
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Bø, Ragnhild Marthine
(2018).
Generosity and Gift-giving. St Nicholas and St Gertrude in the Ringsaker altarpiece (c.1527).
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Bø, Ragnhild Marthine
(2018).
Netherlandish Altarpieces in the North: Ulkebøl, Ringsaker, Botkyrka.
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Bø, Ragnhild Marthine
(2018).
Apresentação do Livro de Horas de Lamoignon. Um manuscrito onde a política e a piedade convergem.
.
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Bø, Ragnhild Marthine
(2018).
Religious Memory and Royal Piety. The Antwerp Commissions of Christian II.
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Bø, Ragnhild Marthine
(2018).
Gruble på Ringsaker.
[Radio].
https://radio.nrk.no/podcast/museum/nrkno-poddkast-92-137786.
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-
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Bø, Ragnhild Marthine
(2017).
Mariabilder fra middelalderen.
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Bø, Ragnhild Marthine
(2017).
Painted Politics? Revisiting the Miracles in the Margins in the Lamoignon Hours (c.1415).
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Bø, Ragnhild Marthine
(2017).
Gjenstander og bilder som kilder.
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Bø, Ragnhild Marthine
(2017).
Emotional Responses to Miracles in Olafs saga helga and Thorlak saga helga.
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Bø, Ragnhild Marthine
(2017).
Being Mindful of Thy Tears: The Lachrimose in Late Medieval Altarpieces.
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Bø, Ragnhild Marthine
(2017).
Mother, Daughter, Brides and Psalters. Anglo-French-Norwegian Connections in the Thirteenth Century.
-
Bø, Ragnhild Marthine
(2017).
From Material Matter to Material Principle? Three Antwerp Altarpieces from the 16th Century.
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Bø, Ragnhild Marthine
(2016).
Joni M. Hand: Women, Manuscripts and Identity in Northern Europe, 1350-1550.
Collegium Medievale.
ISSN 0801-9282.
29,
s. 131–134.
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Bø, Ragnhild Marthine
(2016).
Affekt, avlat og agens – importerte bilder og senmiddelalderens fromhetspraksiser i Danmark-Norge.
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Bø, Ragnhild Marthine
(2016).
From Material to Immaterial Presence. Engagements with Saints before and after the Reformation.
-
Haug, Karl Eirik & Bø, Ragnhild Marthine
(2016).
8 classic historical museums
A glimpse into Norway’s past.
[Internett].
Visit Norway.
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Bø, Ragnhild Marthine
(2016).
Emotionally Yours? St Gertrude of Nivelles and St Clare of Assisi in Medieval Norway.
-
Bø, Ragnhild Marthine
(2016).
Alterfrontalet i Tingelstad gamle kirke.
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Bø, Ragnhild Marthine
(2016).
The Forgotten Symbols of God. Patrik Reuterswärd's Articles Revisited.
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Bø, Ragnhild Marthine
(2016).
The Materiality of Devotion in late Medieval Northen Europe. Images, Objects and Practices, edited by Henning Laugerud, Salvador Ryan & Laura Skinnebach.
ICO - Iconographisk Post. Nordisk tidskrift för bildtolkning.
ISSN 0106-1348.
2015(4),
s. 47–52.
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Bø, Ragnhild Marthine
(2016).
Material Dialogues. Modi, colorii and ductus in fifteenth- century alabaster retables.
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Bø, Ragnhild Marthine
(2015).
Sjekking i middelalderen.
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Bø, Ragnhild Marthine
(2015).
I begynnelsen var ordet. Bøkene i middelalderens kirker.
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Bø, Ragnhild Marthine
(2015).
A Material Matter. Pere Johan's retable in the Cathedral of La Seo, Zaragoza.
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Bø, Ragnhild Marthine
(2015).
Introduksjon til renessansens kunst.
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Bø, Ragnhild Marthine
(2015).
Introduksjon til middelalderens kunst.
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Bø, Ragnhild Marthine
(2015).
Billedbruk i senmiddelalderen. Et eksempel fra hoffet i Paris.
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Bø, Ragnhild Marthine
(2015).
Image, Imitation, Indulgence: Netherlandish Art and Devotional Practices in Denmark-Norway c.1450-1550.
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Bø, Ragnhild Marthine
(2015).
'Likeness' i portrettkunst fra Burgund, ca.1380-1480.
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Bø, Ragnhild Marthine
(2014).
Omsorgsforksning ved Diakonhjemmet: en prosjektpresentasjon.
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Bø, Ragnhild Marthine
(2014).
What about Devotion? Devotional and Liturgical Practices in Late Medieval Norwegian Churches.
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Bø, Ragnhild Marthine
(2014).
Portrettkunst ved hoffet i Burgund (1380-1480) - en skisse.
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Bø, Ragnhild Marthine
(2014).
Tidebønnebøker.
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Bø, Ragnhild Marthine
(2014).
Devotion and Representation at the French Court 1380-1420.
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Bø, Ragnhild Marthine
(2013).
Tapte monumenter, bevarte dokumenter. Deodato di Cosmas ciborier og kilder i BAV.
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Bø, Ragnhild Marthine
(2012).
The employment of intervisuality in the study of medieval art - towards a definition?
-
Bø, Ragnhild Marthine
(2012).
D'or et d'azur, riches et cointes...Pietet og politikk i tre franske tidebønnboker fra tidlig 1400-tall.
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Bø, Ragnhild Marthine
(2012).
En iscenesatt dronning.Kroningsopptoget for Isabeau av Bayern i Les Grandes Chroniques de France, 1400-1500.
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Bø, Ragnhild Marthine
(2011).
Looking at the Ladies. Representations of Jeanne de France, the Virgin and St Anne in the Lamoignon Hours, c.1415.
-
Bø, Ragnhild Marthine
(2009).
Lamoignon-tidebønnebokens ikonografi.
-
Bø, Ragnhild Marthine
(2013).
Devotion and Representation at the French Court. An Intervisual Approach to the Lamoignon Hours, a Parisian Manuscript by the Bedford Master (c.1415).
Universitetet i Oslo.
