The lecture aims to provide an overview of Taiwan history and highlight multiple and diverse historical narratives surrounding modern and contemporary Taiwan. Based on museum exhibitions and recent scholarship, the lectures will introduce major themes and issues such as Taiwan’s modernization, democratization, the multi-ethnic society and national identity, post-colonial memories and transitional justice. No prior knowledge of Taiwan or proficiency in Chinese are required.
About the lecturer
Dr. Lung-chih Chang is director of National Museum of Taiwan History and Associate Research Fellow and former deputy Director of the Institute of Taiwan History, Academia Sinica, Taiwan. He obtained his PhD from the Department of East Asian Languages and Civilizations at Harvard University. His area of expertise includes Taiwan's social and cultural history, ethnic relationship history, comparative colonialism, Taiwan history and public history.
The Taiwan Matters lecture series has been funded by the Ministry of Education of Taiwan (ROC) through the Taipei Mission in Stockholm, Sweden.
Lecture recording (audio file only!)
Transcription
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Welcome, everybody, to this very, very, very special event.
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Professor Chang Lung-chih came flying in from Taiwan yesterday.
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I don't envy him with jet lag and everything to speak here today,
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but we are extremely happy to have him here.
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He is director of National Museum of Taiwan History in Tainan City in Taiwan
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and associate research fellow and former deputy director of the Institute of
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Taiwan History at Academia Sinica in Taipei.
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He has his PhD from Harvard and he is one of the foremost historians of Taiwan
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history. So we are extremely happy to have you here and I won't say more.
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Otherwise, I will spend your time, so please.
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So there's no microphone, right?
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No microphone.
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No need.
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It's in the air, the microphone.
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Just operate with this.
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Yeah.
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Oh, OK.
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Yeah. OK, good afternoon (dàjiā hǎo/tāi-ke hó). I am Lung-chih Chang from Taiwan.
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It's really my great pleasure and honor to be able to kick off the
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Taiwan Matters lecture series at Oslo University.
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And this is also my first visit to Norway, and after more than 20 hours of flight,
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I'm not sure I can keep my mind clear after maybe half of halfway through my lecture.
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But please bear with me if my English suddenly becomes very poor and very
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slow and my mind begins flowing in some unknowable direction.
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But anyway, here I am and I'm really glad to be able to come here and exchange
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with you when teacher A-De (Halvor) called me from some unknown place and invited me
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to come to this lecture.
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I hesitated for a moment, but then I think this is really maybe one of my
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lifetime experience to be able to travel to Norway.
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So here I am.
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And hopefully in the next 40 minutes or so, we could have a pleasant
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discussion of Taiwan history using a museum exhibition as an example to
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give a rough idea about how history has been, especially the history of Taiwan
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has been researched or represented.
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And maybe especially in tomorrow's lecture, we can talk about how Taiwan
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history has been debated and contested in contemporary Taiwan.
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Okay.
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So as you can see, the title of my today's lecture is Island of Encounters.
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And I will, this is my general outline, just to give you a rough idea.
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And I will just talk a little bit about how Taiwan history became a field of study
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in Taiwan after the post, after the lifting of Martial Law in 1987.
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And then I will just go directly to the museum of the National Museum of Taiwan
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History, and I will just briefly introduce how it came into being and then what
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has been, how the museum has been functioning.
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And then I will focus on two cases.
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One is the permanent exhibition of the museum when it first opened to the
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public in 2011, then I would talk a little bit more about how my staff, our
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staff's efforts to provide the new narrative based on the old exhibition
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and to reflect not only the changing political, social situation, but also
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the development of the historical study of Taiwan itself in 2021.
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And then I will, if time permits, I will be closing with a very rough remarks on
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what the museum and my colleagues and I are trying to do in the near future.
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And it's been, what we've been doing and what we want to accomplish.
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And that basically, so if anyone would like to maybe leave this room and go
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for to better place to go and a cup of coffee and you can feel free to do it.
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So this is a general picture of the National Museum of Taiwan History.
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And how many of you have been, have visited Taiwan before?
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Oh, very many.
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Okay.
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As you can see that when we talk about museums in Taiwan, our museum will not
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come to mind at first, usually the sequence will be National Palace Museum.
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And then if you have some knowledge about Taiwan's colonial past during the
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Japanese rule, there will be a museum, National Taiwan Museum, which is
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Taiwan's first museum set up in 1915
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by the Japanese colonial government, later transforming into a National Taiwan Museum.
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It is basically a natural history museum and located in the right now, we call it
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228 Peace Park near Taipei Station.
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And then there will be another museum called National History Museum located
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right across my high school called Jianguo
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High school in the so-called Botanic Garden.
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It is a museum set up in post-war Taiwan by the national government based on the
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artifacts transferred from Henan Museum.
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So this is actually a museum of Chinese civilization and arts.
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So our museum is the only museum that featured Taiwan history per se.
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And it was unthinkable before the lifting of martial law and is still growing after
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celebrating the 10th anniversary in 2021.
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In our, this is a brief introduction of the museum, the mission, and also some of the
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major
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major efforts, such as to promote Taiwan's cultural identity, to dialogue on historical
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issues, and to improve our international cooperation and also try to bring in the
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progressive idea of intellectual popularization, something like that.
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Okay.
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And this is what our museum looks like.
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It is actually a historical garden, and there are two major buildings.
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One is an administrative building with our depositories, and the other is exhibition
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education building, which is located here.
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And this is the museum's main building.
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Which is located here, and this is our, it is a symbol of our museum, and I will talk
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about it with you if time permits later.
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Our museum right now consists of more than 100 staff members, and they are not only from
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history background, they're also from various disciplines, like from art history to
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museology, and also there is some civil administrative channel directly.
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So there's basically many tracks that consists of our team.
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And so for those who are familiar with the four major functions of the museum, our museum
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also performed similar functions in featuring Taiwan history.
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So right now, after maybe 20 years in preparation and 10 years open to the public, we have collected
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more than 150,000 items of artifacts, varying from, with different categories.
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And most of our collections are donated by the owners.
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Many of them are actually from featuring the daily life of Taiwanese people.
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So we don't have any things like those treasures in National Palace, like if you happen to
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broke one of them, then you will be in great trouble.
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But our artifacts, it's more down to earth, and it's basically a social, trying to reflect
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the social life of Taiwanese people and also the folk culture, along with other various
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religious and cultural traditions.
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So this is, this is just to give you a rough idea about the variety of our collections
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from maps to drawings to artifacts.
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And we also have some, but not many, collections from the indigenous Taiwanese.
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And in last year, which is about September 2022, we have a new special item into our
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depository, which is the only Nobel Prize, Nobel Medal in Chemistry, donated by Mr. Yuen-che
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Lee, and hopefully it will not be the only one, but right now it is, it is the only Nobel
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Prize medal in Taiwan, which has become part of to our museum.
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Our research focus on various time periods and publish related historical material and
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documents along with other materials.
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So for those who have a basic idea of Taiwan, it is essentially a regional island and it's
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the rich archaeological findings, but it formally entered the realm of world history in the
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late 16th century and become the crossroad of different maritime powers in 17th centuries.
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In 18th centuries, there's a lot of Chinese migrants from South China, especially Fujian
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and Guangdong, they set up a various agricultural development and Taiwan become developed, gradually
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transformed from a regional island into a home for Han immigrant volunteers.
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In maybe with the opening of treaty ports in the 1860s, Taiwan became, especially Taiwan's
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commercial product like tea, sugar, and also camphor, became the worldwide merchandise.
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So Taiwan also became the focus of various international rivalry in East Asia.
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And starting from 1895, Taiwan became Japanese first overseas colony.
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During the 50 years of Japanese rule, Taiwan gradually transformed from a Han immigrant
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frontier to a modern industrial society under the Japanese colonial regime.
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In 1945, with the defeat of Japanese in the World War II, Taiwan was returned to the ROC,
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the KMT government, and starting the so-called post-war period for more than 70 years.
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And Taiwan is one of the longest martial law rules under the world's longest martial rule
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for more than 38 years.
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And it was not until 1987 when Taiwan gradually became a democratic society with strong civil
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organizations all the way until today.
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This sketch of Taiwan history is the focus of our research team.
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So we have been collecting and also researching, if not translating into Chinese, various multilingual
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sources on Taiwan from all the way from the 17th to the 19th century.
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And we also published a lot of Ming-Qing dynasty materials such as land deeds, archives from
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National Palace Museum, and such like that.
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And we also work on Japanese colonial archives and published various source collections or
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maps.
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Also, there are some visual collections like documentaries during the 1930s.
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Yeah, these are part of our research, the results of our research.
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So this is just to give you an idea about the difference.
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For example, this is from the Dutch materials.
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The VOC, the Dutch East Indian companies, which ruled Taiwan for 38 years.
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And this is the first Taiwanese political and social movement speech organ for this
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so-called Taiwan self-rule movement during the Chinese period.
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There's also a lot of diaries about various local elites also published by our museum
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together with other, for example, the Institute of Taiwan History.
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I will not talk much about the exhibition because it will be the major focus of analysis
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today.
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But our museum features a permanent exhibition and also has been designed and showcased more
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than 100 different special exhibitions in our exhibition hall.
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And this is just to give you a general idea about how our special exhibition is.
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So you can see that it's only, it eventually ranges from various different perspectives.
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So there's religion and there are also earthquakes, environmental issues and there's something
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about maps and there's something about the Japanese pioneering into power and investigation
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in Taiwan.
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And there's also about water problems in Taiwan.
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And we also put a lot of attention about the Southeast Asian migrants in Taiwan and their
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living experience.
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So we also touch, although not very much, but also we touch on contemporary issues such
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as the 3.18., the Sunflower social movements.
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And there are also exhibitions on comics, on education, etc.
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So just to give you a rough idea about what we have been doing.
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And these two are the featuring special exhibition.
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Last year we have collaborated with our German counterpart on about divination or "suanming"
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in Chinese to contrast the East-West worldview.
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And we were also celebrating the 100 year anniversary of the first very important Taiwan
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cultural association.
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Taiwan Cultural Association, Taiwan Wenhua Xiehui.
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Many leading elites, modern elites are actually members of this association.
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So there is a special exhibition on it.
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And we also provide a kind of alternative accounts, not so much focus on those heroes
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or big names, but also some different ways of how to understand this important era about
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Taiwan's enlightenment in the 1920s.
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Our public service sections provides service to different kinds of audience because we
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pride ourselves to be a museum for everyone, not just for some special guests or some officials
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or some scholars.
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So we have tried to offer open access services to those who are audiovisually impaired.
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And also some special policies are designed for those students, young students in some
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more peripheral or economic minorities.
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And we also offer different education measures from especially drama or theater is one of
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our strengths compared to other museums.
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So this special drama is actually performed by those who... They are not actors, they are actually
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performing their own experience.
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These are those brides married from Southeast Asia to Taiwan and their children in their
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descendants, who are now called the new Taiwanese, Xin Taiwan Zhi Zi, because has become gradually...
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For those who are familiar with Taiwan's demography, there are so-called four major ethnic
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groups ranging from Fujian, the Hokkienese, to Hakka, to indigenous Taiwanese.
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And also there's those who migrate with the KMT government after 1949, the so-called mainlander,
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the waishengren.
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But now we have the fifth ethnic group, which is those from those who came to Taiwan,
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especially in the 1990s, come from Southeast Asia and they become... They and their descendants...
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and actually their population are more than indigenous Taiwanese right now.
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So they've become the fifth ethnic group in Taiwan.
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So in general, we're trying to bring in all these different kinds of multi-ethnic society,
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the aspect of multi-ethnic society.
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So this is actually one important event when we invited them and they actually tried to
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come to our museum to perform their own story and this actually created a lot of responses, positive
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responses from the audience.
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In addition to the four major functions of museums, we also provide digital services.
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For example, we have a lot of our artifacts and research and also exhibition results has
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been digitalized and become accessible to our audience who not only can come to our
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museum to see for themselves and to experience the different kinds of museum exhibition,
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but also they can also access our resources from far away using internet and other digital
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channels.
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So this is, we have a very popular website featuring our collections.
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And we also have a very special website on the visual history of Taiwan.
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You can really listen, can listen on history by yourself, listen to the history by yourself.
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And we have a database on local history and we have a very popular website on Taiwanese
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women's experience.
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So that's just to give you a general idea about how National Museum of Taiwan History
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has been doing following its formal opening to the public in 2011.
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Right now, let me just step, let's step a little bit further into how the history of
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Taiwan has been featured and represented and narrated in our permanent exhibition.
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First of all, the theme of our permanent exhibition when it first opened to the public in 2011
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is called Our Land, Our People.
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In Chinese it's called Si Tu, Si Min, or This Land, This People.
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So it is actually trying to provide a new perspective for those who want to understand
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or to know about their own history, their history and their, not from some conventional
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perspective such as the expansion of Han Chinese, overseas expansion of Han Chinese,
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or the history of Han immigrants from, migrated from mainland China to Taiwan and other places.
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These are very important themes and has been the orthodox narrative during the martial
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law period.
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But there's other perspectives which are featuring Taiwan and Taiwan in and of itself, or to
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use more theoretical terms called Taiwanese subjectivity.
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This kind of view has been one of the major features of the newly emerged Taiwan Studies
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after the 1980s, especially in gradually developed into a new discourse or new way of envisioning
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Taiwan and Taiwanese history and culture in the 1990s.
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The Taiwan subjectivity is, although there are different connotations and even some fierce
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debates regarding how this term should be understood, but there's a general consensus
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that we should understand the history of Taiwan from the Taiwanese perspective.
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Okay, that's the basic idea.
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So Our Land, Our People - the exhibition is actually a ramification of this idea of Taiwanese
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subjectivity.
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So you can see that this is a general spatial arrangement of this, of the old permanent
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exhibition.
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So you can see that from when the audience takes the elevator to the second floor of
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our museum, they will first see a general map of Taiwan.
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And then through an interactive device, you can have your own face and become reflected
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in this screen.
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So it is an idea about the history of for everyone.
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So you can become - every audience can become part of our exhibition by using your or interactive
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device.
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And then you will have an overall view about Taiwan's early history or the major archaeological
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finding something like that.
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Then you will see a great huge map.
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You can see from another, I'm sorry.
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About the 16th and 17th century when Taiwan was a maritime frontier.
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And then you will have entering basically the exhibition order is chronological, but
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it is not strictly followed the chronological order.
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There are also some semantic design to featuring major events or some important issues of Taiwan
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history.
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So from the Dutch period to the rule of Ming loyalist Cheng Ch'eng-kung in the region and all the way to
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the more than 212 years of Qing rules, you can see that there's agricultural development
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and then some development about the town and the cities.
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And then in this section you will see, I'm sorry, I forgot there are some people not
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in this room.
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So let me use the mouse.
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So in this section you can see the 19th century Taiwan when it become a focus of international
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trade and some imperialist rivalry.
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And this part you can see there's a, oh, thank you.
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I'm sorry, let me return to my mouse.
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So in this section you'll see the different narratives about the once very famous Taiwan
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Republic in 1895 when the local Taiwanese organized to resist the invading Japanese
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troops armies in 1895.
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And this section is basically the Japanese colonial period all the way through the different
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various kinds of modernization experienced all the way to the Taiwanese experience on the
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World War II when some young Taiwanese, including indigenous Taiwanese were conscripted to fight
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for the Japanese empire.
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The original narrative end with the somewhat tragic ending about the transition between
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Japan and Taiwan and China and the tragic so-called 228 incident in 1947 when there's
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the popular uproar or popular protest was suppressed by the KMT government.
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And there's some people even use massacre to describe this event.
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So that's the general narrative about in our museum, the previous permanent exhibition.
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And I would like to emphasize that if you are familiar with the textbook version of
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Taiwanese history, if there's something Taiwanese history in the textbook, there's actually
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no such thing as Taiwanese history in the textbook before.
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It's actually a series of reforms.
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So it was not until 1995 that the students in the senior high school, they can have a
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special coherent section on Taiwanese history.
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Usually it was segmented in following the overall narrative of Chinese nationalist history.
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So for those who are familiar with this conventional textbook style Taiwanese history, the history
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actually consists of two major narratives.
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One is expansion or development of Han Chinese in Taiwan.
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The other is the major historical figures and their influence on Taiwan history.
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For example, from Koxinga (Cheng Ch'eng-kung), all the way to Liu Ming-ch'uan, those South Chinese
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officials - Qing imperial officials, they basically constitute the major figures in the conventional narrative.
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But in this exhibition Our Land, Our People, there's no famous figures.
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And there's no this very important events.
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What you have seen is the daily life of Taiwanese throughout the various time son the
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island.
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So that's the basic feature for our old historical narrative.
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So in a sense, it is a social history by itself.
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And not a political history in essence.
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That's the feature of our permanent exhibition when it was first opened in 2011.
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And how this coming to being is actually the product of various factors.
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One is the development of Taiwanese historical study itself, which I will cover more in
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tomorrow's lecture.
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And the other is actually the process of democratization and the growing recognition of
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people's importance, various people's, various groups of people's importance in constructing
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the island's history.
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So with these two different strains of thought that constitute the so-called Our Land, Our People
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narrative.
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So this gives you another idea about...
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So if you come to the second floor of our exhibition hall, what you have seen is something
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like that.
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It's actually a special reconstruction of major historical scenes throughout the history
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of Taiwan.
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Okay, with this in mind, let me go quickly into the new or renewed permanent exhibition,
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which after closing for 15 months for design and construction, formally reopened in January
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2021.
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That is before my coming to this post.
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This new, we called it renewed permanent exhibition.
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The old scene, our Our Land, Our People still remains, but there is a new framework for narration,
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which can be seen as an island of encounters.
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So if the so-called discourse of Taiwanese subjectivity
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is featured in the land and the people in and of itself,
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then the new or renewed narrative is actually trying to put Taiwan in a larger macro-maritime
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transnational comparative perspective and trying to emphasize Taiwan's position in Taiwan's,
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the fate of Taiwan is actually influenced by various regions and the interaction of people,
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culture, ideas, commodities, or geopolitical factors.
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So this development, actually the new narrative, is actually an extension of the old narrative,
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if I may.
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So let me show you some of the key elements in this new narrative.
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One is the idea of encounters.
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So you can see that this is actually a new artifact by indigenous artists.
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And he tried to use one of the legendary myths about one of the Amei/Amis tribe in Taiwan to feature
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in the burst of the island, to symbolize the burst of the island and trying to add on the
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old world map, the old context of the old map.
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So that is one addition.
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And the other is the inclusion of more and more indigenous stories from for those who
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are familiar with Taiwan's indigenous people.
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They are not one ethnic groups.
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They're actually right now we have more than 16 officially recognized indigenous groups
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in Taiwan with the ongoing indigenous rights movement and also so-called transitional justice
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movement.
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Maybe in two years time or three years time, the number will keep increasing.
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So this is actually something new, not only to the demographic configuration of Taiwan,
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but also the political imagination about what comes to you, this entity or the imagined
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community of Taiwan itself.
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So the story of indigenous people is actually a new and very significant addition to the
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old narrative, which is still more or less, although there is no big name, but they are
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still Han Chinese experiences in Taiwan.
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Right now, so the second feature of this new narrative is that it is more, it becomes a
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pluralist, a multi-ethnic narrative in comparison to the old Han-centric, Chinese-centric,
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Sino-centric story of Taiwan.
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So this sense of pluralism or multiculturalism becomes, and also the coexistence, if not
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competing, conflicting of various memories in Taiwan is also a new way of presenting
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the island's history.
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So we are no longer subscribed to one orthodox narrative, but we try to include, although
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we cannot exhaust all the narrative, but we're trying to provide a sense of democracy that
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by recognizing differences, by listening to different voices or recognizing those
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lost or suppressed or marginalized voices in Taiwan's past, we can work together for
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a better future.
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So this is also this element of memory politics is the third edition of the new narrative
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to our museum's permanent exhibition.
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And also there's another aspect which focuses on democracy or democratization of Taiwan.
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Until today, Taiwan's history has been featured as one of the major development, not only
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in economic success, but also in terms of the first or the most successful in the sense
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of democratization in Chinese society.
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But as you can see, especially in recent years, Taiwan's democracy has underwent a lot of
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changes if not when it's a very serious crisis and challenges.
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So how to consolidate the deepening, how to deepen the democratic culture of the time
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of political, democratic politics in Taiwan, it's become more and more pressing, especially
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facing the changing geopolitical situation.
37:53.240 --> 38:03.720
So in the new narrative, there's a whole new section featuring the post-war Taiwan history,
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which is not so, which only mentioned in passing in the previous version of our narrative.
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So in this new post-war narrative, we no longer subscribe to the economic miracle narrative,
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which is very popular in 1990s and earlier, this whole little dragon narrative, but focus
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on the challenge of Taiwan's democracy and the difficulty and even the frustration of
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Taiwan's democratization all the way from the 228 incident to throughout the white terror
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period.
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And gradually, you can see the emergence of local politics, the so-called Dangwai Movements
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and then gradually this various wars converge, become a social movement and all the way leading
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to the lifting of martial law and then facing the first presidential election and also the
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consolidation of Taiwan democracy.
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This new narrative is an important, a new addition of our new, renewed exhibition.
39:25.960 --> 39:35.720
And last but not least, if you have time to go through the permanent exhibition, before
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the ending part of the so-called Museum for Everyone, you will see some very important contemporary
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artifacts.
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These are our rapid response collection of the important social movements.
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So for example, these stones are those indigenous elites who have been camping for three years
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in front of Taiwan's presidential office to advocate for the land right and also the
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transitional justice of indigenous people.
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Although the work is still going on, but these stones have become our new collections, which
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in addition to the 3.18. Sunflower Movement.
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And this gentleman is actually a former political prisoner who spent more than 10 years in the
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Green Island and offshore islands during his youth years.
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And he now become an important advocate for human rights in Taiwan.
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And he attended various events to commemorate those victims of political prosecution, but
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also educated the younger generation to understand the price that the former generation has paid
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for Taiwan's democratization.
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But these new elements are also missing in our old exhibition.
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So then just to give you a general idea about what happened in 2011 and what is new or
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renewed in 2021 in our permanent exhibition narrative.
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Okay.
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And right now we are promoting a new idea using the public history or co-writing as
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a key collaboration, as a key concept to just to promote a new way of shared authority in
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Taiwan historical culture.
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For those who can recognize the Chinese, you can see that it is called "ni ye shi xie lishi de ren"
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So everyone can be a chronicler of history.
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So this actually, for those who are familiar with the American public history, there is
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a saying that every man is his own historian.
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Something in this spirit to try to bring in this idea and try to co-write or co-read Taiwan's
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history with our audience and readers.
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So it is no longer kind of a one-dimension, top-down museum initiated historical narrative
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to educate the audience.
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It's actually a more equal footing, more fluid, and more open-ended way of rethinking Taiwan
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history.
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So I think that can recognize some of the major spirit in this renewal and renovation
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of the historical narrative of Taiwan.
43:13.480 --> 43:25.840
I think I don't have time to show the field, but by way of inclusion, just to conclude
43:25.840 --> 43:39.200
with some very rough remarks, here is what we have been doing after celebrating our 10th
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anniversary and also our promotion to the third tier institution under the Ministry
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of Culture in 2021.
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So right now there are five Taiwan-related museums or national museums in Taiwan.
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One is what I've been saying, the National Taiwan History, the former Japanese colonial
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museum.
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And the second is the National Museum for Taiwan Arts.
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And in Taitung, there is a National Museum of Prehistory, Prehistorical Culture featuring
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indigenous culture and archaeological findings.
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And our museum, together with our counterpart, the National Museum of Taiwan Literature,
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was the last two museums promoted to the equal footing with the former three museums featuring
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Taiwan.
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So although we were formally opened to the public in 2011, it was not until 2021, 10
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years after that we finally were promoted to be the same footing with the other national museums.
44:55.840 --> 45:06.040
So for those who are familiar with the so-called International Commission of Museums, ICOM,
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last year in Prague, in their conference in Prague, there's a new definition passed with
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this majority, and it's after three years of debate after the Tokyo conference.
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So in this new definition of museum, there are some new elements that have been added
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to the conventional, to the consensus of museum workers.
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So that, for example, this collects, interprets, assesses, inclusive, diversity, sustainability,
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et cetera, et cetera.
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So that's just to give you an idea about what the trends of museum has been gradually changing.
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And we also, as museum workers in Taiwan, we try to respond positively to the changing
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trends.
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So we have attended the Prague ICOM 2022, and there's some of our publications featuring
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our museum experiences, as you can see from the PowerPoint.
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So there's actually various topics that's been collected and presented.
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As a response to the ongoing, gradually ceceding COVID-19 pandemic, we have a rapid response
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collection that started two years ago.
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So people can upload their photos and their thoughts or their comments directly to our
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specially designed webpage and to become a part of the COVID-19 special collections in
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our museum collection.
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We're also trying to work with our neighbors to become an animal-friendly park.
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And finally, we're trying to gradually develop our experience into a kind of more academic,
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some discourse with more academic sense.
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So there's, we collaborated with the Taipei University of Arts to publish the so-called
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Doing History in the Museum series last year.
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And there will be some new textbook on museology also.
47:40.280 --> 47:48.200
So let me conclude my very rough and jet-lag affected lecture with these two snapshots
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of our museums.
47:49.200 --> 47:54.800
If you have time to come to Tainan, you're more than welcome to drop by our museum in
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the beautiful afternoon.
47:57.040 --> 47:59.920
Enjoy the scenery.
47:59.920 --> 48:09.040
We have some very popular duck staff who will show your way to the museum buildings and
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you can enjoy the exhibition as part of the exhibition that I've been trying very hard
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to show you.
48:20.600 --> 48:30.040
So thank you very much for your listening.
48:30.040 --> 48:36.080
Thank you very much for this great excursion into not only your museum, but also into Taiwanese
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history through a very lively way of getting into the details of Taiwanese history and
48:42.600 --> 48:52.080
to see how it is composed of both imperialism and ethnic diversity, which are sort of two
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very different angles, but also many other angles.
48:55.760 --> 48:58.200
And we're extremely happy about this.
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We will have the second lecture with Professor Chang tomorrow at 14.15 to quarter past two
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in this same room.
49:10.120 --> 49:17.080
So hope to see you all here then.
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The title for tomorrow is Island of Memories, Critical Overview of Contemporary Taiwanese
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Historiography.
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It will be basically a very boring discussion about academic history.
49:30.640 --> 49:35.440
Today is more lively with the museum and public history.
49:35.440 --> 49:37.760
Anyway, you're most welcome to come.
49:37.760 --> 49:44.320
And also just mention that next Tuesday, there is no lecture set up, but for those who are
49:44.320 --> 49:49.920
interested to prepare for one of the later lectures on Taiwanese film and cinema, there
49:49.920 --> 49:57.240
is a film screening of Gu Ling Jie Shao Nian Sha Ren Shi Jian, Brighter Summer Day, which
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will be shown then in seminar room two in this building.
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So on the ground floor of this building on next Tuesday.
50:10.520 --> 50:16.320
And then we will resume with lectures again one week after that.
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Always on Tuesdays, except for tomorrow, which is on the Wednesday.
50:20.200 --> 50:21.600
So we needed to grab-
50:21.600 --> 50:28.160
Just to show my appreciation for your patience, I've bring some souvenirs, which is our postcard
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published by our museum, just for your, you're most welcome to come and enjoy.
50:35.800 --> 50:40.200
And for those who are more interested in what actually had been taught in the exhibition
50:40.200 --> 50:49.640
with the illustration and narrative, I would leave this guide, tour exhibition guide here.
50:49.640 --> 50:55.960
That's for those who are interested to pursue a little bit more about our museum and the
50:55.960 --> 50:56.960
exhibition.
50:56.960 --> 51:05.300
And finally, this is a newly published book and we're receiving just in the Taipei Book
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Fair last week.
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It's called Visualizing Taiwan.
51:09.360 --> 51:11.960
And it is a series of three books.
51:11.960 --> 51:15.720
This is the second one, which featuring Time.
51:15.720 --> 51:18.840
The first one, Space, is published last year.
51:18.840 --> 51:22.280
And you can see that how our colleagues have been using the artifact of our collection
51:22.280 --> 51:26.280
to tell the story of Taiwan history.
51:26.280 --> 51:28.080
So I will just leave it here.
51:28.080 --> 51:32.560
And for those who are interested, you're more than welcome to use that as a reference for
51:32.560 --> 51:33.560
getaway to our museum.
51:33.560 --> 51:37.480
And looking forward to seeing you, hopefully in the near future in Tainan.
51:37.480 --> 51:44.160
Thank you very much again.
51:44.160 --> 51:46.960
Thank you very much again.
51:46.960 --> 51:54.280
Now there will be a thought break and then only those who have registered for the course
51:54.280 --> 51:59.560
will stay behind and continue talking with Professor John.
51:59.560 --> 52:26.480
So thank you all for coming here today.