PhD course ‘The Exhibition as Research: Histories, Theories, Methods’

Can exhibitions be qualified as research-in-itself? If they can, then how? Which criteria should be the basis of evaluating and verify research exhibitions? The aim of the PhD course is to build a solid knowledge-base for understanding the relationship between exhibitions and research in the past and today, in order to collectively explore potentials and challenges for what can be called research-by-display.

Picture of an annotated book with photograph

Sverre Fehn’s exhibition architecture from 1979 in the Medieval Hall at the Museum of Cultural History, Norway. Photo: Kirsten Helgeland, Kulturhistorisk museum, Universitetet i Oslo

Museum exhibitions are intimately related to research. From the systematic display of natural history in the 19th century to current ‘citizen science’ experiments, exhibitions have displayed research in various ways, intending different outcomes. Museum exhibitions can be based on research, disseminate research, provide data for research, be a meeting point for interdisciplinary research collaborations, or generate new research questions.


Can exhibitions be qualified as research-in-itself? If they can, then how? Which criteria should be the basis of evaluating and verify research exhibitions? The aim of the PhD course is to build a solid knowledge-base for understanding the relationship between exhibitions and research in the past and today, in order to collectively explore potentials and challenges for what can be called research-by-display. 


This PhD course explores the exhibition as research through the terms ‘research-based’, ‘research dissemination,’ ‘the exhibition as essay’, ‘laboratory,’ and ‘method’ in an attempt to explore research through exhibition making. Which histories, theories, and methods could unpack the exhibition as research, in itself? Participants are invited to reflect on different questions of exhibitions as research, and how these pertain to their dissertation subjects empirically, analytically, or epistemologically. 


Programme

Thursday 13 June

At ROM for kunst og arkitektur (Maridalsveien 3, 0175 Oslo)

09:00 – 09:30 Welcome and introduction by Ingrid Halland

09:30 – 10:00 Talk by Mattias Bäckström (Associate Professor at the Norwegian University of Science and Technology)

10:00 – 10:30 Talk by Gustav Jørgen Pedersen (Head of Research at The Munch Museum)

10:30 – 11:00 Break (30 minutes with coffee, fruits and snacks)

11:00 – 11:45 Exhibition Cases Workshop I (Ingrid Halland)

11:45 – 12:00 Talk by Lisa Rosendahl: "Learning from Context-specific Exhibitions" (Curator and Associate Professor in Exhibition Studies at The Oslo National Academy of the Arts)

12:00 – 12:45 Lunch (45 minutes). Lunch will be covered (basic lunch: salads, soup, bread)

12:45 – 15:00 Paper presentations by PhD Fellows with breaks in between (closed session)

- Yuansheng Luo, response by Brita Brenna

- Ingrid Dobloug Roede, response by Brita Brenna

- Hanna Gerda Brøndal, response by Marie-Theres Fojuth

15:00 – 15:30 Break (30 minutes with coffee, fruits and snacks)

15:30 – 18:00 Paper presentations by PhD Fellows with breaks in between (closed session)

- Jasper Delbecke, response by Lisa Rosendahl

- Mikael Andersson, response by Gustav Jørgen Pedersen  

Friday 14 June

At ROM for kunst og arkitektur (Maridalsveien 30, 0175 Oslo)

09:00 – 09:30 Talk by Tim Ainsworth Anstey (Professor at The Oslo School of Architecture and Design)

09:30 – 11:30 Exhibition Cases Workshop II (Anders Bettum, Brita Brenna) with coffee, fruits  and snacks

11.30 - 12.00 Talk by Gjertrud Steinsvåg (Director at ROM for kunst og arkitektur) and Karoline Kjesrud (Senior curator at the Historical Museum)

12:00 – 12:45 Lunch (45 minutes). Lunch will be covered (basic lunch: salads, soup, bread) 

12:45 – 15:00 Paper presentations by PhD Fellows with breaks in between (closed session)

- Nick Walkley, response by Anders Bettum

- Christianne Blijleven, response by Peter Bjerregaard

- Andreas Spandet Bjerre, response by Mattias Ekman

15:30 – 16:00 Break (30 minutes with coffee, fruits and snacks)

16:00 – 18:30 Paper presentations by PhD Fellows with breaks in between (closed session)

- Sara Duborg Døssing, response by Marianne Løken

- Katla C. Brandt, response by Tim Anstey 

- Sebastian Klein, response by Marie-Theres Fojuth

Saturday 15 June

The Museum of Cultural History, the auditorium in the 3rd floor (Frederiks gate 2, 0164 Oslo)

10:00 – Welcome and introduction

10:15 – 11:00 Peter Bjerregaard (Director of the Danish Museum of Science & Technology, 30 min presentation, 15 minutes discussion)       

11:00 – 11:45 Jérémie McGowan (Associate Professor at The Oslo School of Architecture and Design, 30 min presentation, 15 minutes discussion)

11:45 – 12:15 Break (30 minutes with coffee, fruits and snacks)

12:15 – 12:45 Liv Ramskjær (Secretary General of the Norwegian Museum Association)

12:45 – 13:30 Lunch (45 minutes). Lunch will be covered (basic lunch: salads, soup, bread)

13:30 – 14:15 Henrik Treimo (Head of Exhibitions Nobel Peace Center, 30 min presentation, 15 minutes discussion)

14:15 – 16:15 Paper presentations by PhD Fellows with breaks in between (closed session)

- Eva-Johanna Marie Lafuente Nilsson, response by Mattias Bäckström

- Elise Matilde Malik, response by Insa Müller

- Alejandra Navarrete Llopis, response by Jérémie McGowan

 

Practical information


Working language: English. 
 
The three-day program will consist of plenary lectures from invited speakers, paper presentations from PhD Fellows (20-minute presentation, 20-minute discussion), group work, and discussions of articles and chapters from reading list. 


Credits: 3/5 ECTS. Participation, paper presentation, and reading preparation will result in 3 ECTS, working over and submitting an edited version of the presentation (10-12 pages) after the seminar, will yield an additional 2 ECTS. Signed and authorized course diplomas will upon request be bestowed upon each participant having completed the course.


Meals: Coffee, fruits, and lunch and will be provided every day. Dinners Thursday night and Friday night are optional, as the expenses for the dinners will not be covered by the organizers.


Travel and accommodation: PhD Fellows are expected to cover their own travel and accommodation expenses. 


Reading list: Reading materials and exhibition background material will be made available one month before the seminar (approximately 1000 pages).  


Maximum participants: 12 PhD Fellows. If the number of applicants exceeds 12, a selection will be made on the basis of relevance, affiliation and status of PhD training; beyond that, early applications will be prioritized.
 
Application: Those who would like to participate in the PhD course should submit a short abstract of their paper (300 words). Apply by sending your abstract and a short CV to the convenor, Associate Professor Ingrid Halland: Ingrid.halland@ikos.uio.no. 


Deadline for application: 15th April 2024


Deadline for submission of full papers: Participating PhD candidates must submit their full papers by 31st May 2024 latest. After this date, papers will be made available to keynote speakers and participants.


Open lectures: The invited talks and guest presentations will take place from morning until lunch every day and will be open to all, in person or via digital steam (Zoom). Registration is required. In the afternoon, the seminar will be closed (the PhD participants will present papers and invited guests will discuss their presentations and work in groups).


The PhD course is a collaboration between The Centre for Museum Studies and The Oslo Center for Environmental Humanities at University of Oslo; The Museum of Cultural History in Oslo; Cultural Heritage Management and the research project ‘Museum, Society, Participation’ at NTNU Norwegian University of Science and Technology in Trondheim; and ROM for kunst og arkitektur.  
 

Full program here (updated 28 May 2024)

Research-by-display at ROM for kunst og arkitektur, 2023. Photo: Thomas Bjørnflaten / KUNSTDOK
Research-by-display at ROM for kunst og arkitektur, 2023. Photo: Thomas Bjørnflaten / KUNSTDOK

 

Tags: Aesthetics, Cultural Theory, Critical Heritage Studies, Art History, Environmental Humanities, Museums and Museology, Museum studies
Published Mar. 22, 2024 8:30 AM - Last modified June 12, 2024 10:29 PM