Symposium: Extraction and Aesthetics: Pasts, Currents, Futures

Welcome to the symposium «Extraction and Aesthetics: Pasts, Currents, Futures» at the Jøssingfjord Science Museum. The symposium is organized by the research project “How Norway Made the World Whiter” (NorWhite) in collaboration with Velferden Center for Contemporary Art.

Bildet kan inneholde: verden, skråning, font, naturlig landskap, himmel.

Bilde: Maximilian Schob, “Surface Array: Revealing the transformed landscapes of the Tellnes mine.” Combined lidar point cloud
and infrared orthoimagery acquisitions with infrared photography (2024). Design: Exutoire

The symposium last two days, 13-14 September, but the first day will be live-streamed and can be followed via the attached Zoom link.

Friday 13. September 2024
10:00 Welcome by Ingrid Halland

10:15 Introduction by Tonje Haugland Sørensen, PhD, Senior Researcher in
the NorWhite project, the University of Bergen

11:00 – 11:45 Speaker 1: Karen Pinkus, professor at Cornell University, US, author
of the book Subsurface (University of Minnesota Press, 2023) and
Fuel: A Speculative Dictionary (University of Minnesota Press, 2016)

Title: “Extraction without Extraction: A Beautiful Dream”

Abstract: I ask us to engage in a thought experiment about the “dream” of having resources made available, present on the surface, without the difficult labor or problematic practices of mining, quarrying, disturbing "mother earth" or speeding up natural processes, which have led to so much ambivalence about extraction from prehistory to speculative futures. What would it mean to think with this dream (beyond a superficial techno-optimism or naive ecologism)? 

12:00 – 13:00 Lunch at Jøssingfjord Science Museum

13:00 – 13:45 Speaker 2: Siobhan Angus, historian and curator and author of the
book Camera Geologica: An Elemental History of Photography (Duke
University Press, 2024)

Title: “Photography from the Deep: Image-Making and Resource Extraction”

Abstract: Challenging the emphasis on immateriality in discourses on photography, this talk focuses on the inextricable links between image-making and resource extraction, revealing how mining is a precondition of photography. Photography begins underground and, in photographs of mines and mining, frequently returns there. Through a materials-driven analysis of visual culture, I illustrate histories of colonization, labor, and environmental degradation to explore the ways in which photography is enmeshed within and enables global extractive capitalism. Reading materiality alongside representation and visual form reveals a complex picture of photography’s implication within extractive capitalism and, in turn, its potential to resist it.

14:00 – 14:45 Speaker 3: Patrick Anthony, Marie Skłodowska-Curie fellow at
Uppsala universitet, Sweden, author of the forthcoming book
Unearthed: Science and Environment Across Mineral Frontiers

Title: “Terraforming tableaux and the tracing of global capitalism”

Abstract: This talk uses a key extractive technology—the vertical profile map, or tableau—to re-trace the history of global mineral capitalism at the dawn of the modern era. This particular “art of extraction” illuminates decisive connections across world geographies, linking Latin American and Central Europe regimes of mining, labor, and war-capitalism at the turn of the nineteenth century. While opening material histories of connections as yet captured in metaphors of global capitalism’s “flowering” and “restless relocation,” tableaux also reveal the pictorial and discursive production of world-systemic thinking, specifically the notion of a global mineral economy that, I argue, was polemically crafted by liberal activists like Alexander von Humboldt. Returning to the tracery of global capitalism in tabular sciences, this talk seeks to disrupt the nineteenth-century logic of “peaceful conquest” that persists today in the new hegemony of “green capitalism.” 

15:00 – 16:00 Coffee, fruits, snacks, and guided tour in the exhibition “Campaign!” by
Ingrid Halland

16:00 – 16:30 Speaker 4: Velferden – Senter for Contemporary Arts (Maiken Stene
and Hans Edward Hammons)

16:30 – 17:15 Speaker 5: Stephanie O’ Rourke, Senior Lecturer in art history at
University of St Andrews, Scotland, author of Picturing Landscape in
an Age of Extraction
(University of Chicago Press, forthcoming 2024)

Title: “Landscapes from Below: Romanticism and Mineral Extraction” 

Abstract: This talk explores the conditions of visibility that were created in and through closed-pit mining in early nineteenth-century Europe, as well as the challenges they posed for traditional landscape conventions. I focus on German landscapes but also consider a range of technical diagrams from the broader European context.

Full programme

Zoom link

Meeting ID: 681 4053 6535
Password: 91p7VKAw

Publisert 26. aug. 2024 08:59 - Sist endret 29. aug. 2024 18:17