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Furuseth, Sissel
(2024).
Tales of the North Sea Oil City: Introduction.
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Furuseth, Sissel; Stilling, Marie; Svenberg, Sebastian & Sørlie, Thale Elisabeth
(2024).
Kitchen-table society.
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Furuseth, Sissel
(2024).
Natur som intellektuelt arbeid. Anmeldelse av Peter Remien og Scott Slovic (red.): Nature and Literary Studies.
Norsk Litteraturvitenskapelig Tidsskrift.
ISSN 0809-2044.
27(1),
p. 52–55.
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Furuseth, Sissel
(2023).
Sigrid Undset i et økokritisk perspektiv.
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Furuseth, Sissel
(2023).
Translating Energy Narratives.
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Furuseth, Sissel
(2023).
Økokritikk og den litterære naturarven.
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Furuseth, Sissel
(2023).
Kommunikasjon på tvers. Energiomstilling som oversettelsesarbeid.
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Furuseth, Sissel
(2023).
Økokritisk knutemor.
Klassekampen.
ISSN 0805-3839.
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Furuseth, Sissel & Grau, Marion
(2023).
A Workshop on Oil, Soil, and Toil.
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Furuseth, Sissel & Hennig, Reinhard
(2023).
Økokritisk håndbok - klima og miljø i litteraturen.
-
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Furuseth, Sissel & Gonsholt, Simen V.
(2021).
Digitalisering og tidsskrifthistorie.
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Børdahl, Amund Ove; Furuseth, Sissel & Mollerin, Kaja Schjerven
(2021).
Hofmos prosa.
-
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Furuseth, Sissel
(2021).
Volds private Hofmo-arkiv.
Klassekampen.
ISSN 0805-3839.
53(194).
-
Furuseth, Sissel
(2021).
The Ethics of Posterity in Maja Lunde's Climate Change Novels.
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Furuseth, Sissel; Iversen, Kristina Leganger; Bildøen, Brit & Stueland, Espen
(2021).
Grøn gåve - svart skuld.
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Furuseth, Sissel; Kolloen, Ingar Sletten & Larsen, Selma Stormyren
(2021).
Setninger som øksehogg.
[Newspaper].
Klassekampen.
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Furuseth, Sissel
(2020).
Traveling Petromodernities: the Norwegian Reception of
Upton Sinclair’s Oil!
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Furuseth, Sissel
(2020).
Grundig om den skeive Undset [anmeldelse av Christine Myrvangs Tause kilders tale].
Prosa - tidsskrift for skribenter.
ISSN 0805-276X.
26(6).
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Furuseth, Sissel
(2020).
Grasrot mot asfalt.
BLA - Bokvennen litterær avis.
ISSN 2464-3971.
-
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Skogvold, Ida; Aubert, Marie; Furuseth, Sissel & Norheim, Marta
(2020).
Klassekamp på samtidslitteraturens slagmark.
Minerva (Oslo).
ISSN 0805-7842.
p. 86–92.
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Furuseth, Sissel
(2020).
Bibliographic Needs in Literary Reception and Periodical Studies: the Database Norsk litteraturkritikk as a Case in Point.
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Furuseth, Sissel
(2020).
Oljeungers tvisyn.
BLA - Bokvennen litterær avis.
ISSN 2464-3971.
32(9),
p. 16–17.
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-
-
-
-
-
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Furuseth, Sissel
(2020).
Nordic Contemporary Fiction Grieving the Loss of Snow.
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Furuseth, Sissel; Rød, Arve & Røsvik, Merete
(2019).
Tredimensjonal prosa.
Prosa - tidsskrift for skribenter.
ISSN 0805-276X.
25(6),
p. 4–13.
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Furuseth, Sissel
(2019).
Fremtidens kropper.
BLA - Bokvennen litterær avis.
ISSN 2464-3971.
31(11-12),
p. 26–27.
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Furuseth, Sissel; Grinde, Bjørn; Selnæs, Nora & Munton, Dominic
(2019).
Hvordan informere om de store klima- og miljøutfordringene vi står overfor?
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Furuseth, Sissel
(2019).
Shades of Blue in Norwegian Climate Fiction .
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Furuseth, Sissel
(2019).
Fra skam til handling.
BLA - Bokvennen litterær avis.
ISSN 2464-3971.
31(9).
-
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Furuseth, Sissel
(2019).
Global citizenship education.
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Furuseth, Sissel
(2019).
Økokritikk mellom vitenskap og aktivisme.
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Furuseth, Sissel
(2019).
Kritikk som retorisk handling.
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Furuseth, Sissel
(2019).
Nettverksanalyse og bruk av digitale ressurser i tidsskriftforskningen.
-
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Furuseth, Sissel; Betten, Eirin Andresen; Røsvik, Merete & Meyer, Jonas Hansen
(2019).
#Episode 4: Økokritikk.
[Internet].
BLA-podden - Bokvennen Litterær Avis.
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Furuseth, Sissel
(2019).
Environmental Literature and Ecocriticism in Norway.
-
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Furuseth, Sissel
(2019).
Emigrantene.
BLA - Bokvennen litterær avis.
ISSN 2464-3971.
31(6/7).
-
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Furuseth, Sissel
(2019).
Interacting with the Digital Archive: Periodical Studies in the 21st Century.
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Furuseth, Sissel & Frog, Mr
(2018).
NORDMETRIK News.
NORDMETRIK News.
ISSN 2535-6011.
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Furuseth, Sissel
(2018).
Litteraturundervisning for bærekraftig utvikling.
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Furuseth, Sissel
(2018).
The Human (as) Nature and the Function of Indigenous Knowledge in Gert Nygårdshaug's Mengele Zoo (1989) and Kerstin Ekman's Blackwater (1993).
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Furuseth, Sissel
(2018).
Hva kan diktningen bidra med i klimakampen?
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Furuseth, Sissel
(2018).
Kunstkritikkens virtuelle fellesskap.
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Furuseth, Sissel
(2018).
Tomas Tranströmer og musikken.
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Furuseth, Sissel
(2018).
Nordisk beredskapslyrikk - utkast til en begrepshistorie.
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Furuseth, Sissel
(2018).
Økologi og lyrisk beredskap.
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Furuseth, Sissel
(2018).
"The hammer blows in the mountain came": Tomas Tranströmer interpreting Edvard Grieg.
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Furuseth, Sissel
(2018).
Mapping the Global Networks of Periodicals: Kringsjaa (1893-1910) and the Digitized Bookshelf.
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Furuseth, Sissel
(2018).
Norsk litteraturkritikks historie 1870-2010: prinsipper og kompromisser.
-
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Furuseth, Sissel
(2018).
Oppmerksomhetsorganet [anmeldelse av Vinduet nr. 1/2018].
Klassekampens Bokmagasin.
-
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Furuseth, Sissel
(2018).
Invaderende offentligheter ved kritikkhistoriens sluttpunkt.
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Furuseth, Sissel & Hennig, Reinhard
(2017).
Ecocriticism and Environmental Education.
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Furuseth, Sissel; Larsen, Dag Eivind Undheim; Karlsen, Ole; Vassenden, Eirik & Vold, Jan Erik
(2017).
"De ignorerer en hel sjanger".
[Newspaper].
Klassekampen.
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Furuseth, Sissel
(2017).
Økologi og lyrisk beredskap.
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Furuseth, Sissel
(2017).
Kritikkens imaginære fellesskap.
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Males, Mikael & Furuseth, Sissel
(2017).
Boklunsj: Snorre och sagorna.
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Furuseth, Sissel
(2017).
Markens Grøde som økologisk beredskapsdikting.
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Lindkvist, Ellisiv; Haugen, Karin; Furuseth, Sissel; Botheim, Sigrid Sørumgård & Ellefsen, Bernhard
(2017).
Menn les menn.
[Radio].
Kulturnytt, NRK P2.
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Furuseth, Sissel
(2017).
Cosmopolitan Perceptiveness: Kringsjaa (1893-1910) and the Magazine Culture of the 1890s.
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Jul-Larsen, Kristoffer; Malvik, Anders Skare & Furuseth, Sissel
(2020).
Discerning voices : Literary criticism and the dissemination of literature in Norwegian radio 1925–2000
.
Norges teknisk-naturvitenskapelige universitet, Det humanistiske fakultet, Institutt for språk og litteratur.
ISSN 978-82-326-4406-3.
Full text in Research Archive
Show summary
The dissertation is a historical examination of the dissemination of literature, literary studies and book reviews in Norwegian radio in the period 1925–2000. There has never before been conducted a comprehensive study of this literary and pedagogical practice. Radio history, cultural journalism in general and the dissemination of literature in non-text-based media are all under-researched fields of study, in both literary and media studies. The dissertation is an attempt to improve this situation.
The presentation takes as its starting point three overarching research questions, which taken together form the dissertation’s project: Firstly, the question of literary evaluation and its practice in radio is examined. What is the radio specific history of literary criticism, its form and content? Secondly, the relationship between the dissemination of literature and national Bildung in a public sphere where literature increasingly has been challenged by other media is considered. What are the characteristics of the relationship between the radio-mediated national arena and literature and literary studies? Thirdly, the dissertation analyses how the material qualities of the radio medium affect the literary content. These three research questions are closely related and are studied virtually simultaneously.
The central tension discovered through this investigation is located between the conflicting purposes of literary dissemination in Norwegian radio. The powerful institutional position of a state-owned broadcaster has made it a complicated endeavour to balance entertainment, Bildung and literary evaluation. The dissemination of literature can entail everything from book reviews and historical lectures to interviews with writers and conversations with readers, to readings and dramatizations. All these forms of dissemination are discussed here, even if the book review and its practice is most often analysed.
For the greater part of 1925–2000, Norwegian radio has been tantamount to the Norwegian Broadcasting Corporation, and this institution’s importance for the development of radio in Norway can hardly be overstated. The dissertation offers an unusual view on literary history’s history and the self-conception of literary studies, by combining media-specific and institutionally historical perspectives on the material. It also develops new knowledge about the forms of literary comprehension have been possible to communicate at different times in Norwegian broadcasting. Finally, the dissertation makes available new insights into the historically changing position of literature in the Norwegian public sphere.
