Kim Wilkins

Associate Professor
Image of Kim Wilkins
Norwegian version of this page
Email kim.wilkins@media.uio.no
Room 482
Username
Visiting address Gaustadalléen 21 Forskningsparken 0349 OSLO
Postal address Postboks 1093 Blindern 0317

Academic interests

  • film studies
  • television studies

Courses taught

Education and Positions held 

  • Postdoctoral Fellow, University of Oslo (2019-)
  • Sessional lecturer and tutor, University of Sydney, Australia (2013–2018) 
  • Sessional lecturer and course coordinator, University of Newcastle, Australia (2012 - 2019)
  • PhD candidate, University of Sydney, Australia (2011–2016)
  • Masters in English, University of Sydney, Australia (2010–2011)

 

Tags: Screen Cultures, Film Studies, Television, Media aesthetics, Film theory, Film and television studies, Textual analysis

Publications

  • Vermeulen, Timotheus & Wilkins, Kim (2024). Genre pastiche and Community. Screen. ISSN 0036-9543. 65(1), p. 160–168.
  • Vermeulen, Timotheus & Wilkins, Kim (2024). Metamodern pastiche Introduction. Screen. ISSN 0036-9543. 65(1), p. 116–120. doi: 10.1093/screen/hjae008.
  • Wilkins, Kim (2023). "Road Films and National Identity." (Chapter reprint from American Eccentric Cinema). Contemporary Literary Criticism. ISSN 0091-3421.
  • Wilkins, Kim (2023). Jonze, Spike (1969-), An Introduction to. Contemporary Literary Criticism. ISSN 0091-3421.
  • Wilkins, Kim (2022). Empathetic Effort in Where’d You Go, Bernadette and Bernie. In Wilkins, Kim & Vermeulen, Timotheus (Ed.), Refocus: The Films of Richard Linklater. Edinburgh University Press. ISSN 9781474493826. p. 157–175.
  • Wilkins, Kim & Vermeulen, Timotheus (2022). Introduction: Linklater's Itinerant Oeuvre. In Wilkins, Kim & Vermeulen, Timotheus (Ed.), Refocus: The Films of Richard Linklater. Edinburgh University Press. ISSN 9781474493826. p. 123–142.
  • Wilkins, Kim (2022). Familiar Spectacles: Nightclub Space in TV Berlin. Mediapolis: A Journal of Cities and Culture. ISSN 2767-8148.
  • Wilkins, Kim (2021). Indie Courtship: Pursuing the American New Wave. In Abrams, Nathan & Frame, Gregory (Ed.), New Wave, New Hollywood:Reassessment, Recovery, and Legacy. Bloomsbury Academic. ISSN 978-1-5013-6040-4. p. 201–220. doi: 10.5040/9781501360374.ch-011.
  • Wilkins, Kim (2021). Babylon Berlin’s bifocal gaze. Screen. ISSN 0036-9543. 62(2), p. 135–155. doi: 10.1093/screen/hjab019.
  • Wilkins, Kim (2021). Creative resistance: Noah Baumbach’s literary filmography. Textual Practice. ISSN 0950-236X. 35(10), p. 1629–1646. Full text in Research Archive
  • Wilkins, Kim (2021). Lotte in Weimar: Sex and Poverty in Babylon Berlin. Cinephile. ISSN 1712-9265.
  • Wilkins, Kim (2021). Gentrification by Genre? The Berlin Rom-com. NECSUS. European Journal of Media Studies (EJMS). ISSN 2213-0217. 1(#Solidarity), p. 27–54. doi: 10.25969/mediarep/16264. Full text in Research Archive
  • Wilkins, Kim (2019). These Violent Delights: Navigating Westworld as “Quality” Television. In Goody, Alex & Mackay, Antonia (Ed.), Reading Westworld. Palgrave Macmillan. ISSN 978-3-030-14515-6. doi: 10.1007/978-3-030-14515-6_2.
  • Wilkins, Kim (2019). "You can be John Malkovich." Celebrity, Absurdity, and Convention in Being John Malkovich. In Wilkins, Kim & Moss-Wellington, Wyatt (Ed.), ReFocus: The Films of Spike Jonze. Edinburgh University Press. ISSN 9781474447621. p. 67–85. doi: 10.3366/edinburgh/9781474447621.003.0005.
  • Wilkins, Kim & Moss-Wellington, Wyatt (2019). Jonze Between the Lines. In Wilkins, Kim & Moss-Wellington, Wyatt (Ed.), ReFocus: The Films of Spike Jonze. Edinburgh University Press. ISSN 9781474447621. p. 1–12. doi: 10.3366/edinburgh/9781474447621.003.0001.
  • Wilkins, Kim (2018). Assembled Worlds: Intertextuality and Sincerity in the films of Wes Anderson. Texas Studies in Literature and Language. ISSN 0040-4691. 60(2), p. 151–173. doi: 10.7560/tsll60203.
  • Wilkins, Kim (2017). ‘I don’t know who I am most of the time’: Constructed Identity in Todd Haynes’ I’m Not There. Film Criticism. ISSN 0163-5069. 41(1). doi: 10.3998/fc.13761232.0041.103. Full text in Research Archive
  • Wilkins, Kim (2016). This, please, cannot be that’: The Constructed World of P.T. Anderson’s Magnolia. Sydney Studies in English. ISSN 0156-5419.
  • Wilkins, Kim (2014). Cast of Characters: Wes Anderson and Pure Cinematic Characterization. In Peter, Kunze (Eds.), The Films of Wes Anderson: Critical Essays on an Indiewood Icon. Palgrave Macmillan. ISSN 978-1-349-48692-2. doi: 10.1057/9781137403124_3.
  • Wilkins, Kim (2013). Ortner, Sherry B., Not Hollywood: Independent Film at the Twilight of the American Dream.". Media International Australia: Incorporating Culture & Policy. ISSN 1329-878X.
  • Wilkins, Kim (2013). The Sounds of Silence: Hyper-Dialogue and American Eccentricity. New Review of Film and Television Studies. ISSN 1740-0309. doi: 10.1080/17400309.2013.848736.

View all works in Cristin

View all works in Cristin

  • Wilkins, Kim (2021). Creative Resistance: Noah Baumbach’s Literary Filmography.
  • Wilkins, Kim (2020). Verdens første møte med Disney-prinsessen. Avisa Vårt land.
  • Wilkins, Kim (2020). Indie Courtship: Pursuing the American New Wave.
  • Wilkins, Kim (2020). Review of Rob Stone's "Before the End" Video Essay. [in]Transition. 7(3). Full text in Research Archive
  • Wilkins, Kim (2019). Celebrating 20 Years of Spike Jonze’s ‘Being John Malkovich. Edinburgh University Press Blog.
  • Wilkins, Kim (2019). Interview about new book "American Eccentric Cinema" . [TV]. TRT World.
  • Wilkins, Kim (2016). The Daughter. Australian Book Review. ISSN 0155-2864.
  • Wilkins, Kim (2016). Everybody Wants Some!! Australian Book Review. ISSN 0155-2864.
  • Wilkins, Kim (2015). Mad Max: Fury Road. Australian Book Review. ISSN 0155-2864.

View all works in Cristin

Published June 11, 2019 2:11 PM - Last modified May 16, 2024 2:20 PM

Projects

Research groups