Vermeulen, Timotheus & Wilkins, Kim
(2024).
Genre pastiche and Community.
Screen.
ISSN 0036-9543.
65(1),
s. 160–168.
Vermeulen, Timotheus & Wilkins, Kim
(2024).
Metamodern pastiche Introduction.
Screen.
ISSN 0036-9543.
65(1),
s. 116–120.
doi: 10.1093/screen/hjae008.
Wilkins, Kim
(2023).
"Road Films and National Identity." (Chapter reprint from American Eccentric Cinema).
Contemporary Literary Criticism.
ISSN 0091-3421.
Wilkins, Kim
(2023).
Jonze, Spike (1969-), An Introduction to.
Contemporary Literary Criticism.
ISSN 0091-3421.
Wilkins, Kim
(2022).
Empathetic Effort in Where’d You Go, Bernadette and Bernie.
I Wilkins, Kim & Vermeulen, Timotheus (Red.),
Refocus: The Films of Richard Linklater.
Edinburgh University Press.
ISSN 9781474493826.s. 157–175.
Wilkins, Kim & Vermeulen, Timotheus
(2022).
Introduction: Linklater's Itinerant Oeuvre.
I Wilkins, Kim & Vermeulen, Timotheus (Red.),
Refocus: The Films of Richard Linklater.
Edinburgh University Press.
ISSN 9781474493826.s. 123–142.
Wilkins, Kim
(2022).
Familiar Spectacles: Nightclub Space in TV Berlin.
Mediapolis: A Journal of Cities and Culture.
ISSN 2767-8148.
Wilkins, Kim
(2021).
Indie Courtship: Pursuing the American New Wave.
I Abrams, Nathan & Frame, Gregory (Red.),
New Wave, New Hollywood:Reassessment, Recovery, and Legacy.
Bloomsbury Academic.
ISSN 978-1-5013-6040-4.s. 201–220.
doi: 10.5040/9781501360374.ch-011.
Wilkins, Kim
(2021).
Babylon Berlin’s bifocal gaze.
Screen.
ISSN 0036-9543.
62(2),
s. 135–155.
doi: 10.1093/screen/hjab019.
Wilkins, Kim
(2021).
Creative resistance: Noah Baumbach’s literary filmography.
Textual Practice.
ISSN 0950-236X.
35(10),
s. 1629–1646.Fulltekst i vitenarkiv
Wilkins, Kim
(2021).
Lotte in Weimar: Sex and Poverty in Babylon Berlin.
Cinephile.
ISSN 1712-9265.
Wilkins, Kim
(2019).
These Violent Delights: Navigating Westworld as “Quality” Television.
I Goody, Alex & Mackay, Antonia (Red.),
Reading Westworld.
Palgrave Macmillan.
ISSN 978-3-030-14515-6.
doi: 10.1007/978-3-030-14515-6_2.
Wilkins, Kim
(2019).
"You can be John Malkovich." Celebrity, Absurdity, and Convention in Being John Malkovich.
I Wilkins, Kim & Moss-Wellington, Wyatt (Red.),
ReFocus: The Films of Spike Jonze.
Edinburgh University Press.
ISSN 9781474447621.s. 67–85.
doi: 10.3366/edinburgh/9781474447621.003.0005.
Wilkins, Kim
(2017).
‘I don’t know who I am most of the time’: Constructed Identity in Todd Haynes’ I’m Not There.
Film Criticism.
ISSN 0163-5069.
41(1).
doi: 10.3998/fc.13761232.0041.103.
Fulltekst i vitenarkiv
Wilkins, Kim
(2016).
This, please, cannot be that’: The Constructed World of P.T. Anderson’s Magnolia.
Sydney Studies in English.
ISSN 0156-5419.
Wilkins, Kim
(2014).
Cast of Characters: Wes Anderson and Pure Cinematic Characterization.
I Peter, Kunze (Red.),
The Films of Wes Anderson: Critical Essays on an Indiewood Icon.
Palgrave Macmillan.
ISSN 978-1-349-48692-2.
doi: 10.1057/9781137403124_3.
Wilkins, Kim
(2013).
Ortner, Sherry B., Not Hollywood: Independent Film at the Twilight of the American Dream.".
Media International Australia: Incorporating Culture & Policy.
ISSN 1329-878X.