Background
Alessandra Ignesti obtained a Ph.D. in musicology from McGill University in 2022. Subsequently, she held a one-year post-doctoral position at the University of Leuven attached to David Burn and Lenka Hlávková’s Central Europe Leuven Strategic Alliance (CELSA) research project ‘Musical Interactions between the Low Countries and Central Europe, 1400-1650’.
She is currently a post-doctoral researcher on Catherine A. Bradley's ERC project BENEDICAMUS, working on the repertory of Benedicamus Domino tropes and substitutes preserved in sources from cisalpine and transalpine areas compiled between the thirteenth and the early sixteenth centuries.
Awards
Tags:
Medieval Studies,
Liturgy,
Music and Philosophy,
Music Analysis
Selected publications
Peer-reviewed articles and book chapters
‘Musical Interactions in the Hymn Corpus of the Strahov Codex’ in Journal of the Alamire Foundation 15/2 (2023): 169-192 (Open Access)
'The Two Settings of Missa Illuminare Hierusalem by Ippolito Baccusi and Giovanni Contino: Connections beyond the Model', in CRIM Project Perspectives. Essays and Experiments from Citations: The Renaissance Imitation Mass (Open Access)
'Music Teaching in Montagnana: Organization, Methods, and Repertories' in Music in Schools from the Middle Ages to the Modern Age, ed. Paola Dessì (Brepols, 2021), 171–94.
'Compositional Strategies in the Late Fifteenth Century and Beyond: Observations on the Missa Mente tota of Antoine de Févin' in Rivista di Analisi e Teoria Musicale 23, No. 2 (2017): 135–64.
'S. Agostino e l’ambivalenza del potere del suono. Un’ipotesi interpretativa', in Musica & Figura 2 (2014): 11–34.
Doctoral dissertation
'Ippolito Baccusi and the Musical Culture of North-Eastern Italy' (Schulich School of music, McGill University, 2022)
Published
Nov. 24, 2023 4:34 PM
- Last modified
Nov. 24, 2023 4:34 PM
