Johanna-Pauline Thöne

Doctoral Research Fellow - IMV stab
Image of Johanna-Pauline Thöne
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Mobile phone +47 45390103
Room 323
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Visiting address Sem Sælands vei 2 ZEB-bygningen 0371 Oslo
Postal address Postboks 1017 Blindern 0315 Oslo

Academic interests

  • Early Music
  • Music and Court Cultures
  • Philology

Research

My doctoral project scrutinises polyphonic music associated with the papal courts of the Great Western Schism (1378–1417), a period of immense controversy in ecclesiastical and secular politics. There are about thirty extant musical compositions, whose newly created, mostly Latin, poetic texts refer to the papacy in various ways. In the form of selective case studies, I aim to elucidate how the repertory engaged with current events in order to delineate its performance contexts and audiences. Central questions of the music-textual analyses are: what inspired the poems and who could understand their message? How and with what effect were they set to music? And how, when, and why did this music circulate in society?

Teaching

Song Cultures Before 1600

Background

  • M.A. Musicology (2019), Johannes Gutenberg-University Mainz (Erasmus exchange at Utrecht University, 2018)
  • B.A. Greek and Latin Philology (2016), Leipzig University
  • B.mus. Harpsichord, Historical Performance Practice (2015), Hochschule für Musik und Theater Leipzig

 

 

 

Tags: Musicology, Music History, Music Analysis, Medieval Studies, Philology

Publications

  • Thöne, Johanna-Pauline & Tomlinson, James Ralph (2023). Medieval and Renaissance Music Conference in Munich. Early Music. ISSN 0306-1078. doi: 10.1093/em/caad058.
  • Thöne, Johanna-Pauline (2023). New Interpretations and Contexts for the Motet Fragments Basel71 and 72 ca. 1400.
  • Thöne, Johanna-Pauline (2023). Imitating Birdsong or Praising Saint Catherine? The Courtly Remaking of a Fourteenth-Century Virelai.
  • Thöne, Johanna-Pauline (2023). A Contrafact in the Chantilly Codex? Laus detur multipharia Reconsidered.
  • Thöne, Johanna-Pauline (2023). Unusual Manifestations of a Fourteenth-Century Motet: The Neglected Fragments Basel71 and Basel72.
  • Thöne, Johanna-Pauline (2023). Birdsong Beneath the Surface: Evidence from Chantilly, Bibliothèque du Château, MS 564.
  • Thöne, Johanna-Pauline (2022). The Low Countries Network and Papal Prophecies in Prague XI.E.9: A Few Case Studies.
  • Thöne, Johanna-Pauline (2022). Reception, Interaction, Contrafaction: The Case of Leiden, Universiteitsbibliotheek, Fragment B.P.L. 2720.
  • Thöne, Johanna-Pauline (2022). A French Contrafact of a Papal Ballade by Egidius: The 'Illegible' Fol. 12v of Leiden, Universiteitsbibliotheek, Fragment B.P.L. 2720.
  • Thöne, Johanna-Pauline (2021). Modelling Emotion in Fourteenth-Century Papal Polyphony: The Court of Antipope Clement VII as Emotional Community.
  • Thöne, Johanna-Pauline (2021). Late Medieval Music Manuscripts: Diachronic Testimonies to Musical and Cultural Networks, c. 1400.
  • Thöne, Johanna-Pauline (2023). Papal Polyphony during the Great Western Schism (1378–1417): How Music Dedicated to Popes Absorbed and Reflected a Time of Crisis. Universitetet i Oslo. Full text in Research Archive
  • Thöne, Johanna-Pauline (2023). The Apocalypse is Nigh: Music and Crisis Around 1400. RMA student blog.

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Published Sep. 4, 2020 2:05 PM - Last modified Nov. 6, 2023 8:49 PM