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Edwards, Peter
(2024).
Musical Aesthetics of Loss in the 21st Century.
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Edwards, Peter
(2023).
Musikk og opphavsrett.
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Edwards, Peter
(2023).
Talk and concert with asamisimasa.
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Edwards, Peter
(2023).
Sakkyndig rapport og vitneforklaring. Borgarting Lagmannsrett (expert testimony and report: Court of Appeals).
Show summary
Saken gjaldt flere krav knyttet til anførte inngrep i immaterielle rettigheter i forbindelse med markedsføring og gjennomføring av konserter med musikk fra Harry Potter-filmene. Saken gjaldt også krav om erstatning for tap som følge av at det ved midlertidig forføyning var lagt ned forbud mot å gjennomføre konserter. Lagmannsretten kom til at musikken var fremført i bearbeidet form og at dette innebar en krenkelse av rettighetshaverens opphavsrett. Rettighetshaverens krav om forbud mot fremføring og om erstatning for opphavsrettskrenkelsen ble tatt til følge. Videre kom lagmannsretten til at markedsføringen av konsertene ikke var i strid med markedsføringsloven § 25, og rettighetshaverens krav om erstatning etter markedsføringsloven ble ikke tatt til følge. For øvrig ble begge partenes anker forkastet.
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Edwards, Peter
(2022).
Pønkebadet.
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Edwards, Peter
(2022).
Marino Formenti and the transformative concert recital .
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Edwards, Peter
(2022).
György Ligeti’s Concerto for Violin and Orchestra: Conceiving Rhythm and Form by Association.
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Jensenius, Alexander Refsum; Danielsen, Anne & Edwards, Peter
(2020).
Vi trenger kort og godt mer automagi i Cristin.
Uniforum.
ISSN 1891-5825.
Show summary
Forskerne bruker utallige arbeidstimer på å legge inn informasjonen. Det er på tide å få den ut igjen! skriver UiO-forskerne Alexander Refsum Jensenius, Anne Danielsen og Peter Edwards.
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Edwards, Peter
(2019).
VOeX Festival 2019.
Show summary
Seminar on 'the voice' voice organised by Hedda Høgåsen-Hallesby and Peter Edwards: What is a voice? How have voices been used in music? How is the voice used in new technology today? What does our voice say about us? And what happens within us when we hear a voice? Listen to music researchers, technologists, psychologists, and singers in conversation.
Speakers:
Nina Sun Eidsheim, Professor of Musicology at UCLA and author of the book "Sensing Sound: Singing and Listening as Vibrational Practice."
David Levin, Professor of Performance Studies at the University of Chicago.
Stan Hawkins, Professor of Popular Music at the University of Oslo.
Nanette Nielsen, Associate Professor in Opera Studies at the University of Oslo.
Catherine Anne Bradley, Associate Professor in Medieval Music at the University of Oslo.
Alexander Refsum Jensenius, Associate Professor in Music Technology at the University of Oslo.
Thomas Schubert, Professor of Psychology at the University of Oslo.
Sagar Sen, Technology Researcher at the Simula Research Laboratory.
Espen Systad, Technologist and Specialist in the Use of the Human Voice in New Media.
Mathias Gillebo, Tenor and PhD Candidate at the Norwegian Academy of Music.
Lydia Hoen Tjore, Soprano at the Norwegian National Opera & Ballet.
Hedda Høgåsen-Hallesby, Dramaturg at the Norwegian National Opera & Ballet.
Peter Edwards, Associate Professor, University of Oslo
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Edwards, Peter
(2019).
Udo Zimmermann's Weiße Rose.
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Nielsen, Nanette; Aksnes, Hallgjerd; Edwards, Peter & Kvalbein, Astrid
(2018).
Launch for Nanette Nielsen’s book _Paul Bekker’s Musical Ethics_. Introduction and moderation by Hallgjerd Aksnes, panel discussion including: Peter Edwards (University of Oslo), Peter Franklin (University of Oxford), Sarah Hibberd (University of Bristol), Astrid Kvalbein (NMH) and Aksel Tollåli (Oslo).
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Eriksen, Asbjørn Øfsthus & Edwards, Peter
(2018).
Musikk og humor.
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Edwards, Peter
(2017).
Expressive States in Theory and Practice: Spatially-Conceived Forms from East to West. Toru Takemitsu's November Steps.
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Edwards, Peter
(2016).
Dash against the quiet.
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Edwards, Peter
(2016).
Musical Sketches in the late Twentieth Century: György Ligeti and the Creative Process.
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Edwards, Peter
(2016).
The Performance of Orchestral Overload in the Music of Zimmermann and Nørgård.
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Edwards, Peter
(2016).
’Leit-Characteristics’ and Expressive States in Ligeti’s Le
Grand Macabre.
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Edwards, Peter
(2016).
The Impossibility of the Return in Bernd Alois Zimmermann’s Musique pours les soupers du Roi Ubu.
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Edwards, Peter
(2016).
Death and Process in Music of the Late Twentieth and Early Twenty-First Centuries.
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Edwards, Peter
(2015).
Musikkens historie og aktualitet: Et fag under fornyelse.
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Edwards, Peter; Mattes, Arnulf Christian; Kvalbein, Astrid & Orning, Tanja
(2015).
Listening to the Twentieth Century.
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Edwards, Peter
(2014).
By the sound of its voice (13.10.2014).
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Edwards, Peter
(2014).
By the sound of its voice (10.10.2014).
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Edwards, Peter
(2014).
Nye former for lytting, nye former for musikkforståelse.
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Dirdal, Linn Carin; Orning, Tanja; Edwards, Peter & Jensenius, Alexander Refsum
(2014).
– Lytting er et arbeid.
[Internet].
Ballade.
Show summary
Lytter vi annerledes til ulike typer musikk? Og i så fall, hvorfor? Richard Wagner og Radiohead stiller likt når Institutt for musikkvitenskap i høst har satt lytting på timeplanen. – Målet er å utvide den vitenskapelige paletten, sier emneansvarlig Tanja Orning.
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Edwards, Peter
(2014).
Boulez Springar (performance Ultima 13.09.14).
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Edwards, Peter
(2014).
Ligeti and Adorno: The Letter Correspondence.
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Kildahl, Mari; Orning, Tanja; Edwards, Peter & Jensenius, Alexander Refsum
(2014).
We no longer really listen to music.
[Internet].
ScienceNordic.
Show summary
Researchers believe it's about time we reclaim the listening experience and pay more attention to it in musicology.
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Kildahl, Mari; Orning, Tanja; Edwards, Peter & Jensenius, Alexander Refsum
(2014).
Vi lytter ikke lenger som før.
[Internet].
Forskning.no.
Show summary
Musikk er ikke noter. Musikk handler om kropp, om å skape og lytte. Men hvordan lytter vi til musikk i vår tid? Er vi i ferd med å glemme hva det vil si å lytte for alvor? Forskere frykter det.
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Edwards, Peter & Guldbrandsen, Erling E.
(2013).
Et dypdykk i det makabre. Om György Ligetis opera "Le grand macabre" i La Fura dels baus' produksjon.
Ballade.
ISSN 0332-5148.
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Edwards, Peter & Guldbrandsen, Erling E.
(2013).
Highlighting Ligeti: Le Grand Macabre.
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Edwards, Peter
(2013).
Gesture and the Poetics of Musical Modernism.
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Edwards, Peter
(2013).
Apati og handling.
Ballade.
ISSN 0332-5148.
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Edwards, Peter
(2013).
The Weight.
Show summary
Concert at the "interkulturelt museum", Grønland, Oslo.
18 January 2013
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Edwards, Peter
(2012).
Tradition and the Endless Now: A Study of György Ligeti's Le Grand Macabre.
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Edwards, Peter
(2012).
Eivind Grovens renstemte orgel.
[TV].
Intervjuet av Stål Talsnes i LørdagsMagasinet på TV2.
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Edwards, Peter
(2012).
Gesture and the Flip Side of Tradition.
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Edwards, Peter
(2012).
György Ligeti's Le Grand Macabre.
[Radio].
"Spillerom" på NRK P2.
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Edwards, Peter
(2012).
Boulez Springar (performance Ultima 20.09.14).
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Edwards, Peter
(2012).
Reunion: 2012.
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Edwards, Peter
(2012).
Boulez Springar.
Show summary
Concert at Eivind Groven's Organ House, 1 December 2012. Commission funded by the Arts Council Norway
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Mattes, Arnulf Christian & Edwards, Peter
(2011).
Fra romantikken til elektronika: nye perspektiver på klangflatens historie.
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Edwards, Peter
(2011).
"Ligeti, Adorno and the Creative Process".
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Edwards, Peter
(2011).
Ligeti, Adorno and the Difficulty of Form.
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Edwards, Peter
(2011).
Dialectical Horizons in György Ligeti's 'Le Grand Macabre'.
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Edwards, Peter
(2011).
Pseudomotivicism in Ligeti's Music.
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Edwards, Peter
(2010).
Iterations II.
Show summary
Concert held at Handel House Museum, London, 04.11.2010
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Edwards, Peter
(2010).
Iterations.
Show summary
Premiered at the NuMusic festival Stavanger, 2010, and commissioned with funding from the Arts Council Norway
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Edwards, Peter
(2009).
B-sides, Undercurrents and Overtones: Peripheries to Popular Music, 1960 to the Present By George Plasketes.
Popular Musicology Online.
ISSN 1357-0951.
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Edwards, Peter
(2009).
Ligeti i vinden.
Morgenbladet.
ISSN 0805-3847.
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Edwards, Peter
(2009).
Samstemmig lidenskap.
Morgenbladet.
ISSN 0805-3847.
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Edwards, Peter
(2009).
Ligeti and Dialectical Progression.
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Edwards, Peter
(2009).
Self-fashioning in Modernism.
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Edwards, Peter
(2009).
Cognition, Meaning and Analysis in Music; A Study of György Ligeti and his Later Works.
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Edwards, Peter
(2009).
Balkansemblet German tour.
Show summary
Tour of Germany. Including a performance broadcast on German radio.
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Edwards, Peter
(2009).
Curved Grooves.
Show summary
Performer/guitarist on the album
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Edwards, Peter
(2008).
Chiaroscuro.
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Edwards, Peter
(2007).
Music and Politics.
[Radio].
'Hear and Now', BBC Radio 3.
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Edwards, Peter
(2007).
www.acousticpicnic.com.
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Edwards, Peter
(2007).
1976 Polyphony.
Show summary
Premiered i Pittsburgh, PA (performed regularly since).
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Edwards, Peter
(2006).
Late synthesis: György Ligeti's Violin Concerto.
New Notes.
ISSN 1350-8989.
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Edwards, Peter
(2006).
The Ringing Grooves of Change.
Show summary
Premiered at Cargo in London.
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Edwards, Peter
(2006).
Wayfaring Stranger.
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Edwards, Peter
(2005).
Confessions.
Show summary
Performed on several occasions in Norway and abroad since the premiere. Commission funded by the Norwegian Composers' Fund.
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Edwards, Peter
(2004).
Steep II.
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Edwards, Peter
(2003).
Sentient II.
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Edwards, Peter
(2001).
Temporalität des Seins.
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Edwards, Peter
(2001).
Sentient I.
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Edwards, Peter
(1999).
Absence.
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Edwards, Peter
(1999).
Steep.
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Edwards, Peter
(1998).
World/Astronomy.
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Edwards, Peter
(1998).
Little Rooms.
Show summary
Premiered at Vestry Hall, Ealing, London.
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Edwards, Peter
(1997).
Greenlandic Sketch.
Show summary
Premiered at Vestry Hall, London.
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Edwards, Peter
(2023).
Tilleggskommentarer og oppsummering av sakkyndig rapport for høyesterett.
Høyesterett.
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Edwards, Peter
(2012).
Tradition and the Endless Now. A Study of György Ligeti's Le Grand Macabre.
Universitetet i Oslo.
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Edwards, Peter
(2005).
The Music of György Ligeti and his Violin Concerto. A Study in Analysis, Reception and the Listening Experience.
7Letras.