-
Hawkins, Stan
(2021).
Popular Music Books in Process Series - "In Concert: Performing Musical Persona" with Phil Auslander and Stan Hawkins.
-
Hawkins, Stan
(2020).
Approaching queerness in popular music.
-
Hawkins, Stan & Stuen, Eivend Augst Westad
(2020).
Stan Hawkins: Fra samtidskomponist til popforsker.
[Newspaper].
KILDEN.
-
Hawkins, Stan
(2020).
Keynote address: On a Journey to the End of Playfulness: Queerness and Music.
Show summary
Susanna Välimäki’s writings have been pathbreaking in decoding and upsetting the dominant-hegemonic positioning of gendered identity in popular music. Her research into LGBTIQ activism in Finnish pop music reveals that 5-15% of the population of Finland belong to minority groups, and that queer music-making abounds in both mainstream and underground practices. Indeed, queer lives on display in pop, occupy spaces for thinking about the possibility of futurity and activist music research. As well as the musical genres that traditionally fall into the queer zone, queer artists play a major role in the ‘public agenda’. I argue for queerness as a survival strategy for people functioning within and outside the mainstream. Queer pop is characterised by transformative politics, where experiencing fun or playfulness also demands ethical awareness of the pervasive problem of discrimination.
-
Hawkins, Stan
(2020).
"Made in Ireland" book launch - keynote address.
-
Hawkins, Stan
(2020).
Keynote IASPM Conference: Staging the Spectacle: The Dandyist Theatrics of Jacques Dutronc.
Show summary
Theatricality is a recalibration of everyday life. It is part of every performance. It gives credence to popular music and its cultural and political traditions. This presentation opts for an interdisciplinary and intertextual approach in a bid to argue the inextricable links between theatricality, musical personae, and identity. Popular music studies has come a long way in complementing the scholarship of major opera, film, and musical scholars, which has led to an abundance of work on personae, agency, and the problems of authenticity. To show how popular music performances function as powerful arbitrations of the ‘natural’ as much as the artistic, I discuss how masculinity was forged by a Mod sensibility in the 1960s. My focus falls primarily on Paris. If Serge Gainsbourg was considered the Leonard Cohen of French pop music, then Jacques Dutronc (1943) was most definitely le dandy cool, the Gallic Bob Dylan.
-
Hawkins, Stan
(2020).
Maskulinitet er i endring i norsk black metal.
[Newspaper].
KILDEN.
-
Hawkins, Stan
(2020).
Keynote Paper: Dandified Personas in Pop Music.
-
Hawkins, Stan
(2019).
Black Poesis III: What Makes a Hiphop Classic? Panel debate.
-
Hawkins, Stan
(2019).
Introduction: Nordic Study Day.
-
Hawkins, Stan
(2019).
Rock Personas and Issues of Vocality.
-
Nielsen, Nina Urholt & Hawkins, Stan
(2018).
Agency, Class and Masculinity in Norwegian Black Metal. To be Gaahl.
-
Hawkins, Stan
(2018).
Nordic Utopias and the Project of Daydreaming.
-
Hawkins, Stan
(2018).
Institutionalizing Cosmopolitanism and White Masculinity: Dandyism in Popular Music.
-
Hawkins, Stan
(2018).
Countless Ways to Study and Research Into Pop Music.
In Kitts, Thomas (Eds.),
Celebrity for the Curious: Why Study Celebrity, Music, and Film Studies?.
Curious Academic Publishing.
ISSN 978-1-925128-59-8.
-
Hawkins, Stan
(2017).
The Routledge Companion to Popular Music and Gender.
-
Hawkins, Stan
(2017).
Nordic Popular Music Today.
-
Hawkins, Stan
(2017).
Dance Music Research Today.
-
Hawkins, Stan
(2017).
Ny bølge med protest musikk under Trump ((interview by Matunda Bigirimana)
https://www.nrk.no/kultur/ekspert-tror-pa-ny-bolge-med-protestmusikk-under-trump-1.13339643.
[Internet].
NRK Kultur og Underholdning .
-
Hawkins, Stan
(2016).
Introduction at book launch: Peter Edward's book launch: György Ligeti's Le Grand Macabre: Postmodernism, Musico-Dramatic Form and the Grotesque.
-
Hawkins, Stan
(2016).
Moderator at Book launch: 'Digital Signatures'.
Show summary
Moderator at book launch of new book, Digital Signatures, by Ragnhild Brøvig-Hanssen and Anne Danielsen
-
Hawkins, Stan
(2016).
Moderator: Prince seminar with Susan Rogers, Prince Charles Alexander, Sarah Niblock and Anne Danielsen.
-
Hawkins, Stan
(2016).
'Popikonet Anohni vil få folk til å handle'.
[Internet].
Framtida.no http://www.framtida.no/articles/popikonet-anoh.
Show summary
Intervjuet av Runar Bjørvik Mæland
-
Hawkins, Stan
(2016).
Jente eller gutt?Kjønn og seksualitet gjorde Prince til en superstjerne.
[Newspaper].
Aftenposten (Journalist: Joacim Lund).
-
Hawkins, Stan
(2016).
Opening Keynote address
A Very Queer Construct: The Pet Shop Boys in Retrospect.
-
Hawkins, Stan
(2016).
Keynote Address: New trends in Hip Hop.
-
Hawkins, Stan
(2016).
Book Launch: 'Queerness in Pop' (New York: Routledge)
with guest response by Dr Freya Jarman (University of Liverpool, UK).
-
Hawkins, Stan
(2016).
Hip Hop vert skeiva.
[Newspaper].
Universitas - Forskerintervju med Runer B. Mæland.
-
Hawkins, Stan
(2016).
Masculinity and Gender Norms in Popular Music.
-
Hawkins, Stan
(2016).
Moderator: Book launch of 'Tranformations of Musical Modernism', eds. E.E.Guldbrandsen and Julian Johnson.
-
Hawkins, Stan & Lund, Joacim
(2016).
Bowie går nye veier – igjen.
[Newspaper].
Aftenposten.
-
Hawkins, Stan
(2015).
Gender Production in Azealia Banks' 'Chasing Time'.
-
Hawkins, Stan
(2015).
Clues to Efficiency in PhD Supervision (with presentations by Professors Georgina Born and Øivind Varkøy) and organised by PhD leader, Nanette Nielsen.
-
Hawkins, Stan
(2015).
New methods and theories in Popular Music Research.
-
Hawkins, Stan; Zeiner-Henriksen, Hans T. & Danielsen, Anne
(2015).
Record Production in the Internet Age.
Journal on the Art of Record Production.
ISSN 1754-9892.
-
Hawkins, Stan
(2014).
Moderator at Panel on Popular Music and Transculturalism, with introduction to the field.
-
Hawkins, Stan
(2014).
Gender Performativity and Agency in Popular Music.
-
Hawkins, Stan
(2014).
Popular Music & Gender in a Transcultural Context.
-
Hawkins, Stan
(2014).
Finding results in Research project.
-
Hawkins, Stan
(2014).
Fakta biter ikke på ekte menn! Intervju med Joacim Lund om kjønn og musikk.
[Newspaper].
Aftenposten.
-
Hawkins, Stan
(2014).
Popmusikk på utstilling.
[Journal].
Ballade (intervjuet av Linn Carin Dirdal).
-
Hawkins, Stan
(2013).
Michael Jackson: grasping the spectacle. Edited by Christopher R. Smit. Farnham and Burlington, VT: Ashgate, 2012. 243 pp. ISBN 978-1-4094-4696-5.
Popular Music.
ISSN 0261-1430.
32(3),
p. 521–523.
doi:
10.1017/S0261143013000354.
-
Hawkins, Stan
(2013).
'Queer Pop's Compulsion': 'Love is a Bourgeois Construct'.
-
Hawkins, Stan
(2013).
Hyperembodiment and Aesthetics in Pop Videos.
-
Hawkins, Stan
(2013).
Review: Michael Jackson: Grasping the Spectacle, ed. Christopher Smit.
Popular Music.
ISSN 0261-1430.
32(03),
p. 521–523.
-
Hawkins, Stan
(2013).
Typisk norsk musikk.
[Newspaper].
Morgenbladet.
Show summary
"Om den presenteres utenfor kontekst skal man være ekspert for å høre de minimale forskjellene på norsk, svensk, dansk og baltisk folkemusikk" - sitat fra intervju av Solveig Nyaard Langvad
-
Hawkins, Stan
(2013).
Norsk popmusikk er ikke typisk norsk.
[Internet].
forskning.no.
Show summary
Den norske popmusikken fremstår som norsk fordi vi tror den er det, mener professor Stan Hawkins.
Intervju med Kamilla Simonnes
-
Hawkins, Stan
(2013).
Music in a Transcultural Space: Inscriptions of Representation through Performance.
-
Hawkins, Stan
(2012).
'Lady Gaga - født sånn'.
[Internet].
NRK ytring.
Show summary
Nøkkelen til Lady Gagas suksess ligger i hennes originalitet - og hennes tolkning av samtiden.
-
Hawkins, Stan
(2012).
Keynote address: 'Terror, Masculinity, and Music: Implications for the Nordic Identity'.
-
Hawkins, Stan
(2012).
Transcultural Intertextuality in a Norwegian Space and Place.
Show summary
Popular Music and Gender in a Transcultural Context - NFR Project
-
Hawkins, Stan
(2012).
'An Altered State: Terror, Music and War Games'.
-
Hawkins, Stan
(2012).
On Critical Musicological Reflections.
Show summary
The lecture picked up on a number of points that takes into perspective the recent changes in musicology primarily in the UK and USA. In his recently edited volume of essays, 'Critical Musicological Reflections', Stan Hawkins set out to address a range of approaches in theorizing music that crosses a wide range of repertoires. In particular a discussion of critical musicology was taken up through its dialogue with other neighboring disciplines, such as history, anthropology, cultural studies, feminism, sociology and film music studies.
-
Hawkins, Stan & Niblock, Sarah
(2012).
WDR 3 Deutschland Aftershow: Das Prinzip Prince Redaktion: Markus Heuger.
-
Johansson, Mats & Hawkins, Stan
(2012).
Transcultural intertextuality in a Norwegian space and place.
-
Hawkins, Stan
(2011).
Music, Masculinity and Terrorism in Norway.
-
Hawkins, Stan
(2011).
Spoof and Hyperembodiment in Pop Videos.
-
Hawkins, Stan
(2011).
Localizing the Transcultural.
-
Hawkins, Stan
(2011).
Gender and Popular Music.
-
Hawkins, Stan
(2011).
‘You Have Killed Me’ – Tropes of Hyperbole and Sentimentality in Morrissey’s Musical Expression.
In Devereux, Eoin; Dillane, Aileen & Power, Martin (Ed.),
Morrissey : fandom, representations and identities.
Intellect Ltd..
ISSN 978-1-84150-596-1.
p. 307–323.
-
Hawkins, Stan
(2010).
Intervju om Prince.
[Radio].
NRK P2 Musikkredaksjon.
-
Hawkins, Stan
(2010).
"Prince Vilikke".
[Newspaper].
Aftenposten.
-
Hawkins, Stan
(2010).
Intervju om internasjonal monografi, The British Pop Dandy.
[Radio].
West Deutsch Rundfunk (WDR 3).
Show summary
Lenken: http://www.wdr3.de/open-freiraum/details/artikel/maennlichke
-
Hawkins, Stan
(2010).
'Third Time Very Lucky!' "Take On Me" made the video star.
-
Hawkins, Stan
(2009).
Morrissey.
[Radio].
NRK P2.
-
Hawkins, Stan
(2009).
Intervju om Stan Hawkins' ny bok.
[Radio].
NRK P2 - Musikk Redaksjon (med Linn Bølstad).
-
Hawkins, Stan
(2009).
Parodisk og politisk pop (journalist: Kristin Engh Førde).
[Internet].
Kilden: Informasjonssenter for kjønnsforskning (Kristin Engh.
-
Hawkins, Stan
(2009).
Reviewing the Reviewers.
-
Hawkins, Stan
(2009).
'You have Killed Me!' - Tropes of hyperbole and sentimentality in Morrissey's musical performance.
-
Hawkins, Stan
(2008).
Publishing in International Journals.
-
Hawkins, Stan
(2008).
Seminar: Music, Gender and Audio-visuality.
-
Hawkins, Stan
(2008).
Making Sense of the Recorded Voice.
-
Hawkins, Stan
(2008).
'Beyond Seduction: The pop video, complicity and myth making'.
-
Hawkins, Stan
(2008).
Hvordan jeg til syvende og sist fant fram på Blindern.
-
Dybo, Tor & Hawkins, Edgar Stanley
(2007).
Møte i stipendiatnettverk innen populærmusikkforskning.
-
Hawkins, Stan
(2007).
Britpop: Manic Lads and Blurred Lashings.
-
Hawkins, Stan
(2007).
'Unsettling difference: music and identity in Britpop'.
-
-
Hawkins, Stan
(2006).
THINKING ALLOWED - Radio 4.
[Radio].
BBC London.
Show summary
Musical Bonds & boundaries project
-
Hawkins, Stan
(2006).
'Common People': on the subject of social class and performativity in nation building.
-
Hawkins, Stan
(2006).
On Musical Performativity in Norwegian Advertising.
-
-
Hawkins, Stan & Knudsen, Jan Sverre
(2005).
Glatte gater - musikkproduksjon i et urbant ungdomsmiljø.
-
Hawkins, Stan
(2005).
Issues in Music Video Analysis - keynote address.
-
Hawkins, Stan
(2005).
Dance through temporal mediation.
-
Hawkins, Stan
(2005).
"Mentasm" � Tracking Beltram's Production and the Aesthetics of the Mix.
-
Hawkins, Stan
(2005).
Aphex Twin collides with Justin Timberlake: Spectacular Bodies in Music Videos.
-
Hawkins, Stan
(2004).
Leder.
Studia Musicologica Norvegica.
ISSN 0332-5024.
30,
p. 3–7.
Show summary
Hvis du åpner hvilket som helst musikkvitenskapelig tidsskrift i dag, vil du finne et bredt spekter av perspektiver. Men hvordan definerer vi musikkvitenskap, og i hvilke retninger beveger vi oss i 2004?
-
Hawkins, Stan
(2004).
Invited panel member in discussion on keynote address by Keynote speaker: CARL SCHACHTER (USA) on "The Scherzo of Schubert's Piano Sonata in B flat, D. 960: Analysis and Performance.".
-
Hawkins, Stan
(2004).
Popular Music Analysis and New Perspectives.
-
Hawkins, Stan
(2004).
Bonds and Boundaries within musical activity in Norway.
-
Hawkins, Stan
(2004).
Contagious genealogies in "Moulin Rouge" - joint presentation with Erik Steinskog.
-
Hawkins, Stan
(2003).
Nineteen commissioned articles.
In Shepherd, John (Eds.),
Continuum Encyclopedia of Popular Music of the World. Volume II: Performance and Production.
Continuum.
ISSN 0-8264-6322-3.
-
Hawkins, Stan
(2003).
Thirteen commissioned articles on popular music artists.
In Freeland, David (Eds.),
Baker's Biographical Dictionary of Popular Musicians since 1990.
Schirmer Reference.
ISSN 0028657993.
-
Hawkins, Stan
(2002).
Intervju om engelskgruppe Super-Collider.
[Radio].
Oslo NRK : P2 Radio - Popfront (Eystein Sandvik).
-
Hawkins, Stan
(2002).
Intervju om Robbie Williams.
[Radio].
NRK Oslo : P2 Radio Popfront (Elisabet Davidsen).
-
Hawkins, Stan
(2002).
En kveld viet Björk!
[TV].
OSLO : NRK 2 - Hovedscene (Arild Erikstad).
-
Hawkins, Edgar Stanley
(2002).
Matters of Popular Music Analysis and Gender Theory.
Show summary
The function and relevance of gender studies within readings of popular music texts from a musicological perspective formed the main focus of this lecture.
-
Hawkins, Edgar Stanley
(2002).
Unpacking Pleasures in Musical Expression.
Show summary
Accounting for pleasure is complex and subjective as the author Roger Scruton reminds us when he attacks popular music and jazz. Pleasure is not something that can be essentialised. Aesthetic practices in European music have historically been engaged with music as a political realm for measuring good or bad taste. This paper problematises how music is culturally and socially imbricated by a close look at a range of musicological critiques.
-
Hawkins, Stan
(2001).
Interview - Radio Singapore International.
[Radio].
Singapore (Producer-Presenter: Ariel Wee) : Radio Singapore .
Show summary
Impact of western pop icons on global trends in youth culture.
-
Hawkins, Edgar Stanley
(2001).
Profile of the British composer/producer Amon Tobin.
[Radio].
Oslo : NRK, P2, Popfront - programmleder, Eystein Sandvik.
Show summary
An interview involving a critical perspective into the compositional procedures found in the electronic music of the highly acclaimed young British composer, Amon Tobin. Issues relating to notions of authenticity within a postmodern context were addressed and problematised.
-
Hawkins, Edgar Stanley
(2001).
Intervju om Wunderkammer.
[Radio].
NRK Oslo : P2 Radio - Popfront (Elisabet Davidsen).
-
Hawkins, Stan
(2001).
Anmeldelse: Kaada.
[Radio].
NRK Oslo : P2 Radio - Popfront (Eystein Sandvik).
-
Hawkins, Stan
(2001).
Finding the music in texts: Norwegian identity, fixity and criticism.
-
Hawkins, Stan
(2000).
Batofar, Paris.
Show summary
Lydkomposisjon til kunstinstallasjon med fransk kunstner Pierre Giner
-
Hawkins, Stan
(2000).
Interview on NRK P2 (with Elisabet Davidsen).
[Radio].
Oslo : NRK.
Show summary
Interview on the musical aspects of Madonna's latest album release, "Music".
-
Hawkins, Edgar Stanley
(2000).
"Morrissey: Anti-Rebel, Lonesome Boy - texts of ironic rhetoric".
Show summary
An analysis of the artist Steven Morrissey's music within a postmodern context, where the theorisation of empathy and irony assume a central position. The two songs presented are: "Suedehead" and "Satan Rejected My Soul."
-
Hawkins, Stan
(2000).
Fixity and Indifference in Norwegian Club Music.
Show summary
The dialectic presented in this presentation focuses on the exploration of identity within a shifting plane of social categories. In particular, the issue of Norwegian national identity is positioned within a postmodern framework which aligns itself to numerous theoretical perspectives found in the emerging discipline of popular music studies.
-
Hawkins, Edgar Stanley
(1999).
Subliminal sensations and pleasures in Club Culture.
Show summary
A presentation of ideas that explain the significance of dance music within specific social and cultural contexts. Supported by Ultima together with Centre Cultrel Francais, British Council, Istituto Italiano, this public seminar was intended to stimulate public debate on the role of dance music with all its innovations within the wider context of copntemporary music.
-
Hawkins, Edgar Stanley
(1999).
Konstruksjoner av musikk og animasjon i Peter Gabriels "Digging in the Dirt".
Oslo Animation Festival Magazine.
p. 92–97.
Show summary
Denne artikkelen tar for seg en musikkvideo av en av de artister som kanskje i sterkest grad knyttes til formeksperimentering og innovativ bruk av animasjon - Peter Gabriel. Ved å utforske de dype lag av Gabriels video "Digging in the Dirt" synliggjøres viktige aspekter ved potensialet for den animerte musikkvideoen.
-
Hawkins, Edgar Stanley
(1999).
Tuning into the late 20th century chasm: Det 'Populære' mot det 'seriøse'.
Parergon.
ISSN 0313-6221.
p. 123–126.
Show summary
I løpet av det tyvende århundre har det vært satt fram en overflod av argumenter og modeller for evaluering av "seriøs" musikk som "god" eller "mindre god" mens den kommersielle musikken er blitt avskrevet i det akademiske miljø som et uaktuelt diskusjonsfelt. Med dette klart essenialistiske premisset som grunnlag for en åpenbart gal holdning, binder denne artikkelen en del temaer som argumenterer til fordel for en omdefinering av begrepet "seriøs" og det som anses for å være "seriøst".
-
Hawkins, Edgar Stanley
(1999).
Press Record, Play and Repeat: Taking Repetition Seriously!
Show summary
Examining the organisation of sound through a theorisation of
repetition is critical for understanding the pleasures and displeasures associated with 'club' music. This paper focuses on a range of deabtes surrounding the significance of repetition for musicological analysis by presenting a variety of methods and approaches that help elucidate its role.
-
Hawkins, Stan
(1998).
Eurogrooves: texts of theft or appropriation in pop music?
Show summary
This paper traces the effects and influences of African American music on a range of styles to emerge from Europe. The central aim here is to situate popular music within a discourse that considers the effects of
acculturation through the socialisation processes of music.
-
Hawkins, Edgar Stanley
(1998).
Postmodernism in Retrospection.
Show summary
An examination of the conceptualisation of postmodernism in its relation to popular music at the end of the 20th century.
-
Hawkins, Edgar Stanley
(1997).
Popular Musicology: Decoding Notions of Identity.
Show summary
This paper proposes numerous ways forward in constructing a critique for the musicological study of popular music. Building on the work of numerous musicologists, it sets out to position a theory that adumbrates the conceptualisation of identity as a process of musical activity.
-
Hawkins, Stan
(1997).
Anti-Rebel, Lonesome Boy: Morrissey in Crisis.
Show summary
This paper explores the music of pop star Morrisey within the framework of stylistic developments in music that led to the Britpop movement in the 1990s. The paper is also engaged with investigating aspects of Morrisey's identity, in particular his construction of masculinity, within the framework of a critical musicology.
-
Hawkins, Stan
(1996).
Good-bye, Great Music!
Show summary
This paper presents a poststructuralist position on the evaluation of types of music used within music education. In particular, it concentrates on the analysis of popular music as a pathway to reform, especially in terms of its dismantling of the western canon.
-
Hawkins, Stan
(1993).
Unravelling the meaning of it all.....
IASPM Quarterly.
-
Scott, Derek & Hawkins, Stan
(1993).
Qualities Sought in Critical Musicology.
Critical musicology.
ISSN 1468-6066.
-
Hawkins, Stan
(1993).
Constituents of musical style in Prince's work.
-
Hawkins, Edgar Stanley
(1993).
"Lost in Music: Perspectives and Problems in the Analysis of Popular Music".
Show summary
A discussion of a variety of concepts associated with the problematics of analysing popular music.With reference to technological production in compositional processing, the song "Jericho" by the Prodigy is given a detailed analysis.
-
Hawkins, Edgar Stanley
(1992).
Introduction.
IASPM Quarterly.
-
Hawkins, Stan
(1992).
Opening address by Stan Hawkins, UK IASPM Chair.
-
Hawkins, Edgar Stanley
(1992).
Prince's Diamond and Pearls.
-
Hawkins, Edgar Stanley
(1992).
1992 UK Conference (IASPM).
-
Hawkins, Edgar Stanley
(1991).
Social Reality and Musicology.
IASPM Quarterly.
-
Hawkins, Stan
(1991).
Towards New Analytical Methodologies in Popular Music.
-
Hawkins, Edgar Stanley
(1991).
Popular Music and Social Reality.
-
Hawkins, Edgar Stanley & Tønsberg, Knut
(2023).
Developing Practices and Approaches to Electronic Popular Music in Education.
Universitetet i Agder.
-
Bresler, Zack; Hawkins, Stan & Aareskjold-Drecker, Jon Marius
(2022).
Immersed in Pop! Excursions into Compositional Design.
University of Agder.
ISSN 978-82-8427-061-6.
Full text in Research Archive
-
Askerøi, Eirik & Hawkins, Stan
(2005).
Man/Machine: Mot en åpning av soundbegrepet.
Universitetet i Oslo.