Benedicamus Domino – Programme

Thursday 7th and Friday 8th September 2023
Professorboligen, University of Oslo

Image may contain: Music, Font, Line, Slope, Sheet music.

Paris, Bibliothèque nationale de France, département des manuscrits, italien 568, fol. 138r, detail
(Reproduced from BnF Gallica).

Thursday 7th September
 

9:00                  Welcome


Session I    Conductus, Motet, Cantio

Chair: Catherine A. Bradley (University of Oslo)

9:10­–9:50         Mark Everist (University of Southampton)
The Benedicamus Domino and the Conductus: Distribution, History and Structure

9:50–10:30       Melanie Shaffer (Radboud University)
Benedicamus Domino and the Ordering of Conducti in F-Pn lat. 15139


10:30–11:00      Coffee


11:00–11:40     Joshua Stutter (University of Glasgow)
Organal Motets, Organum Prosulae, Polyphonic Tropes, Motet-Likes: The Universalisation of the Motet

11:40–12:20     Jan Ciglbauer (Charles University)
Benedicamus or Cantio? Distinctive Endings of Central European Cantiones and their Testimony of Tradition and Use


12:20–14:00     Lunch


Session II   Conceptual, Political, and Hagiographical Contexts

Chair: Anne Walters Robertson (University of Chicago)

14:00–14:40     Sigbjørn Olsen Sønnesyn (University of Bristol)
“The Heart’s Cry is its Understanding”: The Augustinian Concept of Iubilus in Medieval Liturgical Theology

14:40–15:20     Sam Barrett (University of Cambridge)
Splendor patris, Stimmtausch, and Ways of Making Benedicamus Domino Songs in the Early Twelfth Century 

15:20–16:00     Mary Channen Caldwell (University of Pennsylvania)
St. Nicholas and the Benedicamus Domino: Songs of an Advent Saint


16:00–16:30     Coffee


Session III   Female Communities

Chair: Manon Louviot (University of Oslo)

16:30–17:10     David Merlin (University of Padova)
Echoes from a Viennese Nunnery: Situating Benedicamus Domino Chants between Shared Traditions and Local Practice

17:10–17:50     Laine Tabora (Pontifical Institute of Sacred Music)
The Unique Selection of Benedicamus Domino Melodies from Medieval Riga


19:30    Dinner (Café Tekethopa)


Friday 8th September
 

Session IV  England

Chair: Nicholas David Yardley Ball (University of Oslo)

9:00–9:40         Samuel Cardwell (University of Toronto)
When did the Benedicamus enter the English liturgy?

9:40–10:20       Thomas Phillips (University of Bristol)
Bodleian Library, MS. Laud Misc. 4: New Insights into the Benedicamus Domino Tradition at St. Albans in the Twelfth Century


10:20–10:50     Coffee


10:50­–11:20     James Tomlinson (University of Oslo)
Polyphonic Settings of the Benedicamus Domino and Deo gratias in Late Medieval English Sources

11:20­–12:00     Kalina Tomova (Bulgarian Academy of Sciences)
Some Thoughts on Faburden and Fauxbourdon in the Fifteenth-Century Carol


12:00–14:00     Lunch


Session V    Renaissance Polyphony in Italy and Spain

Chair: Johanna Thöne (University of Oslo)

14:00–14:40     Antonio Calvia (University of Pavia) Anne Stone
                        
(CUNY, Graduate Center)

A Newly-Discovered Polyphonic Benedicamus Domino in Milan

14:40–15:20     Michael O’Connor (Palm Beach Atlantic University)
Juan de Esquivel and the Polyphonic Benedicamus Domino in Late Renaissance Spain


15:20–16:00     Coffee


Session VI  Lightning Papers

Chair: Alessandra Ignesti (University of Oslo)

16:00–16:20     Marit Høye (Independent)
Early Plainchant for the Benedicamus: Relationships with Kyrie Source Melodies

16:20–16:40     Giovanni Cunego (University of Pavia)
A Two-Voice Benedicamus Domino Versicle in an Eleventh-Century Source from the Capitular Library of Verona?

16:40–17:00     Martha Culshaw (University of Toronto)
Benedicamus Domino and the Order of St. Clare in Fourteenth-Century Brussels

17:00–17:20     Lucia Denk (Princeton University)
Fragmentary Benedicamus Dominos in an Early Modern Spanish Manuscript

 

 

 

Published June 1, 2023 3:58 PM - Last modified Sep. 1, 2023 2:52 PM