2023. Den populærkulturelle Ibsen: En studie i nyere norsk resepsjon. Oslo: Scandinavian Academic Press.
2023. “Ibsen, Sancthansnatten og de ‘saakaldte lavere Kunstarter.’” Edda 110 (2): 74-89.
2022. “Peer Gynt: The Missing Years.” In Silent Ibsen: Transnational Film Adaptation in the 1910s and 1920s, edited by Eirik Frisvold Hanssen and Maria Fosheim Lund, 125–46. Oslo: National Library of Norway.
2022. “Tropes Revisited: Evert Sprinchorn’s Ibsen’s Kingdom: The Man and His Works and Recent Historical Research in Ibsen Studies.” Review essay. Scandinavian Studies 94 (4): 530–45.
Ellen Rees and Thor Holt. 2022. “Entanglements of Adaptation, Allegory, and Reception: Jaws and An Enemy of the People.” Journal of Aesthetics and Culture 14 (1): electronic publication.
2021. “Mass Media and Popular Reception.” In Ibsen in Context, edited by Narve Fulsås and Tore Rem, 264–71. Cambridge, UK: Cambridge University Press.
2020. “Fogden, kvinnen og taterungen: omstreifermotivet i Ibsens Brand.” Edda 107 (4): 242–253.
2020. “Oslo/Kristiania/Christiania: Ibsen, Hamsun, and the Modern Urban Breakthrough.” In The Palgrave Encyclopaedia of Urban Literary Studies, edited by Jeremy Tambling. London: Palgrave Macmillan, Cham.
2016. “Dramatizing Biographers: Michael Meyer’s A Meeting in Rome and Robert Ferguson’s Dr. Ibsen’s Ghosts.” Modern Drama 59 (1): 75-94.
2016. “Den barmhjertige Ibsen: Simon Strangers Gjengangeren.” In Modernitet, barndom, historie. Festskrift til Harald Bache-Wiig, edited by Åse Marie Ommundsen, Per Thomas Andersen and Liv Bliksrud, 141-153. Oslo: Novus.
2016. “Tracing the Self in Peer Gynt: A Critique of Johnston’s Hegelian Reading.” In Ibsen Between Tradition and Contemporaneity, edited by B. Ananthakrishnan and Ellen Rees, 1–6. Hyderabad, India: S.N. School of Arts and Communications.
2015. "Post-Secular Salvation: Hallvard Bræin's Gatas Gynt." Nordlit 34: 373-380.
2015. "Henrik Ibsen som tegneseriefigur: fra Sfinksen til Dovregubben." Kunst og kultur 98 (1): 14-27.
2014. Ibsen's Peer Gynt and the Production of Meaning. Acta Ibseniana XI. Oslo: Centre for Ibsen Studies.
2014. “Ibsen Exposed: Atle Næss’s Sensommer and Niels Fredrik Dahl’s Henrik og Emilie.” European Journal of Scandinavian Studies 44 (2): 186-204.
2013. “Melodramatic Traces and Places in The Lady from the Sea.” Ibsen Studies 12 (2): 79-100.
2013. “Body, Corpus, and Corpse: Delineating Ibsen in A.S. Byatt’s The Biographer’s Tale.” In Crossing Borders, Dissolving Boundaries, edited by Hein Viljoen, 156-181. Amsterdam: Rodopi Press, 2013.
2011. “By the Open Sea: Ibsen's Fruen fra Havet and Jon Fosse’s Nokon kjem til å komme.” Ibsen Studies 10 (2): 192-222.
2011. "Bjerregaard’s (and Thrane’s, Wergeland’s, Aasen’s, Ibsen’s, Bjørnson’s and Garborg’s) Fjeldeventyret (1825, 1844, 1853, 1857, 1865, and 1925), IASS 2010 Proceedings: Föredrag vid den 28:e studiekonferensen i International Association of Scandinavian Studies (IASS) i Lund 3-7 augusti 2010, edited by Claes-Göran Holmberg and Per Erik Ljung. Lund: Lund University Open Access.
2010. “Problems of Landscape and Representation in Ibsen’s Når vi døde vågner.” Ibsen Studies 9 (2): 37-61.
2008. “Tropological Turns in Peer Gynt.” Ibsen Studies 8 (2): 112-134.
2007. “Gyntian Simulacra: Twenty-First-Century Appropriations of Peer Gynt.” Scandinavian Studies 79 (4): 427-448.